Posts Tagged ‘Columbia’

Evil Nerfal - Bellum Est Pater Omnium

Columbian black metallers Evil Nerfal’s second record ‘Bellum Est Pater Omnium’ is another Satanath release from early this year, and it is a torrent of raging, Satanic black metal that revels in its raging, magnificent evil. It is available right now, and is for fans of Darkthrone, Behemoth and Marduk.

The grand, classical intro builds the drama for the subtly titled ‘Fuck Off Jesus Christ’, which pours like magma from the speakers in scorching throes. Unlike a lot of South American black metal, Evil Nerfal doesn’t go for the ultra-necro, lo-fi approach. Instead, the likes of ‘In Endless Torment’ and the mesmerising fury of ‘En Las Fauces del Demonio’ paint with a denser, thicker palette. Much more in common with the likes of Behemoth than Beherit, ‘Bellum Est Pater Omnium’ is a mature, multi faceted record of black metal at its most majestic and its most severe. In fact, the track you’d expect to be the most straightforward, necrotic monster ‘Satanic Madness Black Metal Unleashed’ is in fact probably the most flamboyant in character, with wonderful melodies flowing from blackened frets and an enticing atmosphere.

Unholy melodies and unhuman growls dance upon a roiling sea of vicious black metal, miasmic and darkly imperial. Evil Nerfal’s music is a beautiful symphony of fire and fury, and ‘Bellum Est Pater Omnium’ is an arcane conjuring of the grandest of the necro spirits. Totally essential listening.

https://www.facebook.com/EvilNerfal/

https://grimmdistribution.bandcamp.com/album/021gd-evil-nerfal-bellum-est-pater-omnium-2018

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South America. Columbia to be more precise, and a blackened death metal band called Bestialized. So you can feel what you’re about to experience, before you press play. This is the band’s third record of uncompromising, unhinged savagery, and it is out now on Satanath Records. If you’re into Impiety or early Krisiun, these guys are for you.

The gloomy melody that emerges from murmering insanity in ‘Harvest Throes’ immediately explodes into fiery carnage in ‘Hell’s Gateway Abattoire’, which is chock full of clattering blasting, rusted scythe riffs and a throat shredding vocal. But Bestialized aren’t just short, sharp shocks. Their songs are longer than average for this style, and it isn’t a gimmick; the music is always vital and energetic. Imagine if Slayer had been from Bogota, not California, and you can imagine the kind of top notch songwriting here.

I particularly enjoy the mayhem and slower sections of the excellent ‘Everlasting Mark of Uroborus’, and the brilliantly titled ‘Cosmic War Maggot’ that thrashes like someone set it on fire. Their aesthetic may be black, but Bestialized are rampant death/thrash at its finest. Sounding quintessentially South American (no bad thing), but yet with enough of an identity and a maturity to stick out from the more primitive crowd, Bestialized are fucking great.

https://satanath.bandcamp.com/album/sat150-bestialized-termestella-cvltvs-2016

http://satanath.com/

Eshtadur - Oblivion

Columbian black/death metallers Eshtadur are releasing their new EP ‘Oblivion’ at the start of December via Rebelsigns. This is five tracks of melodic death metal wrapped in a blackened atmosphere that works just brilliantly.

Listen to that riff that opens ‘In a Trance With Darkness’. Its a beauty! Evolving into a hardened chug, with some ripping lead work that really highlights the excellent song writing. There are keyboard and choral enhancements, adding a great touch of grandeur to the proceedings. It’s almost what you could expect if Ihsahn had fronted a melodeath band instead of Emperor. Jagged riffs roar beneath a savage growl.

‘Last Day of the Condor’ has some great soaring leads, but doesn’t let up on the ferocity of the metal. The solo kills as well. ‘Heavens to the Ground’ has some more stop start riffing, while the galloping’The Currency of My Empire’ has some more fretwork fireworks. The apparent black metal influences are few and far between, limited mostly to some keyboard flourishes and atmospheric enhancements, but its the little touches that elevate this above just another musically impressive melodeath band.

Eshtadur close out ‘Oblivion’ with the impressive ‘The Rebellion’, which combines some melodic sections at the start with neck wrecking riffs and more of that devasating groove. The cold melodies and raspiong vocal parts bring dashes of black metal into the mix too. ‘Oblivion’ is a great release, containing everything you could want in a short release. The songs are great, the riffs are great and the keyboard parts add an additional layer of depth. Awesome!

https://www.facebook.com/pages/Eshtadur/177549565617566

https://eshtadur.bandcamp.com/

I’m assisting my friend Steve Thomas Green at Sixsixsix Music with a few compilation ideas for the next few months, so I was greatly looking forward to the release of his ‘Helvete – Confederacy of Hatred’ compilation he has been putting together recently. This is a black metal compilation of unsigned or small label bands from around the world as a promotional vehicle. It is available here at Buy It Now (Name Your Price) on the label Bandcamp page, and for what you get not donating is a sin! A track by track rundown is my contribution to the promotion of these bands. We must ALL support the underground metal scene as much as we can, otherwise we will lose our most vital and bullshit free source of quality music.

We open with ‘Manifestum Mortis’ by Serbia’s Ophidian Coil. This is how you want a compilation to start, a scything statement of intent that leaves you breathless, savaged and beaten. Punctured in the middle by a majestic, icy solo, this is a band to look out for.

Argentina’s Capgrass are next with ‘Disruption of the Deepest Dreams’. A slice of the frozen north from South America, Capgrass are channeling Immortal’s majesty with this track, six minutes of relentless, hypnotising black metal, broken only by some bleak acoustics and a wonderful solo.

Krajiny Hmly from Slovakia have a tough act to follow with ‘Hlbiny Spanku Zabudnutia’, but the only bad thing about it was my attempts to spell their name. This doesn’t seem like your conventional black metal on first listen, with oddly melodic opening riffs permeating the whole song. There’s a feeling of uneasiness about it, enhanced by the echoing rasps of the vocals and the flourishes of pagan metal.

India’s Solar Deity are a particularly highlight of this comp for me. Their ‘Circling the Moon’ track is totally killer, and is a perfect example of the great things appearing from Indian metal in the past few years. It feels like prime ‘Transylvanian Hunger’ material, energising and thoroughly hateful and raw. The moments of calm only enhance the storm.

It is time for some USBM to appear, and representing is Pittsburgh’s Nox Aeternum with ‘In the Midst of Scarlet Passageways’. It struggles to maintain the heights of Solar Deity, but only just. This is another brilliant track showcasing the quality of US black metal. It reminds me of Marduk’s blitzkrieg attack, coupled with some of Satyricon’s more epic moments. It’s not all hipster or eco-black metal over the pond.

I’ve written about Skiddaw before, and they contribute ‘Even Titans Fall’ from their self titled debut. Go read my review to understand why this Gorgoroth-esque razorblade will flay skin from bone.

A new track from the UK’s Nefarious Dusk is always something to bring a black tear to your eye, and ‘Cast Me to the Lions’ is a raw, bleak and thoroughly dark piece of black metal. This is debut record Bathory shit here my friends, and when the early 90s Darkthrone riffs kick in, you’ll think you’re listening to the corpse painted hordes for the very first time.

The more subdued acoustic intro to Paimonia of Serbia’s offering, ‘Ruined Form Catharsis’, is skewered violently by a urgent, artillery assault of fiery black metal. A track that couples the more traditional aural violence with moments of introspective calm. Another highlight of the comp. We’re ONLY HALFWAY THROUGH PEOPLE!!

Track 9 consists of Columbia’s offering, Penumbra. As traditional with South American black metal, ‘Ritual Genocide’ is rawer than a freshly savaged carcass. There is only one mission here, to batter your brain into submission with blasphemy and battery.

Belgians Sercati open totally differently to everyone else here, with an almost gothic style keyboard intro to ‘Hound from Hell’. It creates a bit of a shock, and allows a bit of breathing space between the constant barrage. Mixing the black metal with something approaching more rock sensibilities is brave, and works here rather well, creating a very memorable song.

I’ve mentioned Baalberith here on the site just recently so I’ll jump ‘Battle for the Blazing Dawn’ and straight into Norway’s Uburen and their track ‘Deprived of Empathy’. Now, these guys have a disadvantage of being from the home of proper old school black metal and so the expectations should be high. Uburen do not disappoint however, with a slower and more malevolent song than a lot of the tracks here. It is atmospheric, crawling and oppressive.

Short but sweet is the next offering from Italy’s NyX. ‘Tulpa Strigoi’ is replete with inhuman growls and is powered by an almost unstoppable juggernaut of blastbeats. Consider the no frills black metal 101 box checked by these guys.

Approaching the end of this black metal marathon, we come across the longest track on the compilation, Chiral (Italy)’s ‘Atto II: Abisso’. Opening with a spine tinglingly peaceful picked intro, you are given the feeling of Opeth’s ‘Damnation’ record. You can believe something special will occur here if a black metal band is willing to risk their ‘troo kvltness’ on such a melodic start. When the blackness arrives, it is just as bleak and mournful. The song swells with evil, a grandiose and hypnotic epic. This rivals Solar Deity as the stand out track on the compilation. Chiral are not afraid to let good song writing get in the way of their underground credentials.

The comp closes with the one two strike of Cvinger and Corruptor Ignis. The former is Slovenian, and is clearly inspired by some malignant dark beast that rages inside them. Its frantic, its raw and its fucking intense. As their homeland is a place close to my heart, I hope they do well out of this, as you’ll struggle to find much as one dimensionally vicious as this in modern black metal. When the pace slows, the feeling of unease grows. It’s fucking brutal. Corruptor Ignis finish us up with a slab of Gibraltan black metal. Yes, even the sunnier edges of what is left of the Empire is capable of summoning black magic from the depths of hell. It is difficult to appreciate the challenge of ending a compilation of some of the best bands in underground black metal, but Corruptor Ignis do it with style. They bring us to a close with some rasping black metal fury that drags you down into a suffocating atmosphere of hatred and bile.

Well, that was fucking epic. I haven’t written a review this long before, and normally I wouldn’t give each song so much depth but since each band deserves their own individual moment, I felt it was only fair. Most of these bands I shall endeavour to support financially with some physical purchases. Some I shall wait to hear more from. All I will recommend to people who like good music. Support these bands and buy this comp! Hail the Legions of Satan!