Archive for the ‘ALERT: Awesome new music’ Category

Cosmic Void Ritual - The Excreted Remains of the Sabatier System
American death spouter Cosmic Void Ritual are here to drain you of your life energy with their new cassette ‘The Excreted Remains of the Sabatier System’. The work of one mysterious individual, Cosmic Void Ritual have got a very early 90s sound, combined with labyrinthine song structures and unusual timings, creating something dark and disturbing. It’s out 6th October via Blood Harvest Records.
The savage ‘Leaking Alien Sacrelige’ opens this tape with chainsawing riffs and an incomprehensible grunting roar. Death metal is heading more and more into this dark path, where odd atmospherics pervade the space behind riffs. Production values sound worse, but are actually better at conveying the nastiness in each song. A magma like flow of dissonant death riffs spill over through the relentless ‘The Fall…Relic Death Spells…’, and while the underpinning riffs bring to mind Autopsy, Dismember and the like, the strange notes lurking in the background are a little more Gorguts.
I’m not sure what the Sabatier System is, but if this tape is a record of a dying planetary system somewhere in the voids of the universe, then I can see that. Otherwordly, violent and manic, Cosmic Void Ritual sound cavernous, and their rituals are conjuring up something quite, quite mad. Excellent stuff, grab it when it comes out!

Greek deathlords Necrovorous have been rather quiet recently, but this three man wrecking crew have drawn fetid breath once more to release the frankly terrifying ‘Plains of Decay.’ It is due out 29th September on Dark Descent Records, and is a record groaning with riffs and morbid brutality.

Opener ‘The Sun Has Risen in a Land I No Longer See’ crushes together the rabid, rusted chainsaw riffing style of classic Swedeath with a rumbling, Bolt Thrower-esque thunder. Setting out your stall early with a song like this is great, because as a reviewer you’re instantly drawn in. ‘Cherish the Sepulture’ is a more crawling, monstrous entity, as is the closing stretch of the hellacious ”Eternal Soulmates’. Necrovorous have this dark, dense magic that flows from each crusted riff, each bile dripping roar, and it inserts itself within your skin like an infectious disease.

‘Plains of Decay’ is bursting at the seams with killer death metal; their evolution away from their gore soaked beginnings into a band whose music is more potent, more rounded, dare I say more sophisticated. Their assault is more surgically precise; lacking a particular chaos but gaining a more concentrated fury. Like chambers of a death metal howitzer being emptied, songs like ‘Psychedelic Tribe of Doom’ and the malicious ‘Lost in a Burning Charnel Ground’ manage to shred you with shrapnel and bury your mangled corpse in acres of riff. Welcome back guys, your broken, eldritch throne of death awaits…

https://www.facebook.com/necrovorous/

https://necrovorous.bandcamp.com/

http://www.darkdescentrecords.com/

The joyous Bay Area thrash of Psython has been an underappreciated part of my music collection for the past few years. Their last piece of work, ‘Outputs’ was an infectious, Death Angel worshipping joy, and their new release ‘Hatred’ looks to continue that path. It’s going to be out in September, self released, so keep an eye out!

Immediately the riff machine is engaged into high gear with the thrashy ‘Jörmungandr’, and from there the thrash never stops. The catchy as hell ‘Teeth’ has got some cool melodies built in, while the soloing work on each track is classic heavy metal. Inspiration clearly runs from bands outside the Big Four like Exodus, Sacred Reich or Death Angel, as the savage ‘Ten Pounds’ demonstrates a rawer attitude than the Big Four influences that sneaks into other tracks, but still manages to get a dose of the epic. Basically almost every Californian thrash band seems to bleed into ‘Hatred’ somewhere, and the overall result is a thrash gem!

I really like what Psython do. Their thrash is at once both derivative and energisingly fresh. It puts a boot straight up the arse of classic thrash, and while doing so comes across as unique enough that you’ll never get bored. Let a little ‘Hatred’ into your life…

https://www.facebook.com/psythonofficial/

https://psython.bandcamp.com/

 

UK black metallers Pale Mist have come from out of nowhere for me, but their new release on cassette, ‘Spreading My Wings into the Abyss that Calls’, is a proud new member of my collection thanks to the good folks at Heidenwut Productions. This is an archetypal black metal release, but one that balances the atmospheric requirements with an almost lunatic delivery at times. Atmospheric as fuck, Pale Mist deliver.

The aching tremolo of ‘Through the Thick Fog of Misery and Woe’ drifts from your speaker, leaving a trail of frost behind it. Pale Mist are definitively bleak and ghostly. Building anticipation for inevitable blizzard conditions is something that black metal thrives upon, and Pale Mist have nailed it as the torrent of blackened majesty that is ‘Spreading My Wings into the Abyss that Calls’ begins. Maddening shrieks spill from icy riffs and gloomy walls of sound.

But the centrepiece is the epic caldera of ‘Embraced by the Pale Mist’, that spews volcanic riffage upon us all before the wistful gaze of ‘Gazing, Opening the Barriers’ provides a welcome calm spot, laced with melancholic clean guitar. Closing with the bleak ‘The Welcoming Glow of the Moon’ that spirals into the wilderness, Pale Mist are seriously impressive, and this release is an opening into a world of ice and darkness.

https://palemist.bandcamp.com/album/spreading-my-wings-into-the-abyss-that-calls

https://www.facebook.com/palemistofficial/

https://www.facebook.com/heidenwutproductions/

Shrine of the Serpent first lurked upon my radar with their awesome self titled EP in 2015. They’ve returned with a new split cassette with Black Urn, a band I have had no prior knowledge of but will definitely be tracking after this. The split is over 30 minutes of harrowing death/doom, with each band contributing two tracks each. It is available now through Bandcamp.

Opening with Shrine of the Serpent’s ‘Desecrated Tomb’, which is brutally heavy and slow. Like the heaving of tectonic plates, Shrine of the Serpent immediately reintroduce themselves as one of the heaviest outfits on the planet. Guttural roars compliment dragging riffs, all suffocating under a leaden atmosphere. ‘Catacombs of Flesh’ is just about as unbearably heavy, pushing down upon you with terrible, devastating darkness.

Black Urn’s side of the split crushes with the morbid crawl of ‘My Strength Lies on Heavenless Plains’, which builds from murky depths into a black metal influenced tremolo roar. Thunderous, molten riffs pour from aching speakers while tortured screams yearn for freedom. It is staggeringly heavy, and sets a new watermark for the music here. They close us down with the AIC Cover, ‘Junkhead’, which injects an entirely new menace into the grunge classic.

Probably one of the best splits I’ve come across in recent memory, both Shrine of the Serpent and Black Urn have really hit it out of the park on this one. Find a copy of it soon before they all disappear!

https://shrineoftheserpent.bandcamp.com/album/shrine-of-the-serpent-black-urn-split

https://caligarirecords.bandcamp.com/album/split-2

https://www.facebook.com/blackurn/

https://www.facebook.com/ShrineoftheSerpent/

Переплут - В стародавние года...

Pagan metallers Pereplut hail from Russia, where some of the finest European pagan and folk metal around is hailing from these days. Their new record, ‘At the Ancient TRimes’, is a beautifully constructed collection of songs that yearn for simpler times, that ache of a certain traditionalist je ne sais quoi that is both heart pumping and heartrending in equal measure. It is out now through Stygian Crypt.

After the melancholic and folky intro track, we begin to delve into ancient Slavic forests, hunting for spirits and places where the touch of modernity has not reached. Pereplut have more than a little Korpiklaani about them, but without the drunken piss taking. Imagine the windswept majesty of Metsatoll but with a little more forest magic. ‘At the Ancient Times’ isn’t all whimsy, flutes and ‘plastic pagan’ moments though; there is a defiant metal heart beating in here that mixes some almost Bay Area thrash moments (‘Тропою волколака’) and some melodeath crunch.

By the time the pastoral shades of the last track fades out, you’ve experienced a journey through lost cultures and folk magic. Pereplut may never become the most famous of this genre, but to miss out on an album of this quality would be a crime. Pereplut deserve your attention, so go support them!

https://www.facebook.com/pereplutband/

http://www.stygiancrypt.com/

https://pereplut.bandcamp.com/

Downcast Twilight - Under the Wings of the Aquila

British metallers Downcast Twilight draw their cover aesthetic from classic black metal yet ply a death/folk blend with a distinct Roman theme on ‘Under the Wings of the Aquila’, their 2016 full length on Stygian Crypt Productions. Their debut record takes us back to the greatest civilisation of all, and is a potent mix of folk instrumentation and death metal heaviness.

An almost infectious melodicism pervades each song on ‘…the Aquila’, inserting a healthy dose of catchiness into tracks like the vibrant ‘Soldier of Pompeii’ or the gloomy ‘The Tyrant and the Sage’. A chunky selection of riffs bring to mind some early Lamb of God, as does the vocals in parts, but the folky elements of ‘The Witches of Anglesey’ are more subtle and hidden beneath layers of crunchy, galloping riffs. Ghostly flute lingers behind the superlative ”The Ides of March’, which has more than a dash of Amon Amarth about it. In fact, the pagan fury of the Swedish giants looms large over Downcast Twilight throughout their debut.

‘Death in Alexandria’ might be my favourite track here, or maybe the brutal kick of ‘The Ironclad Legion’, a little bit harsher than some of the others and that really works for me. ‘Under the Wings of the Aquila’ is a record that shows much promise, and Downcast Twilight have got something a little unique and special about them. Symphonic but not overly so, blending folk and death metals together gently into a solid start that builds with each listen. Awesome.

https://www.facebook.com/downcasttwilight/

http://www.stygiancrypt.com/rel_en.php