Posts Tagged ‘Death metal’

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Greek death metallers Gravewards have dropped their debut EP ‘Subconscious Lobotomy’ on cassette tape, and it is four tracks of brutality conjuring the spirits of Morbid Angel, Obituary and even little dashes of Scandinavian nastiness too. If rabid darkness is your thing, then you’ll find a lot to enjoy here.

‘Casket Entrapment’ opens with a gloriously old school riff before a pained roar shattered the air guitaring calm. The chugging riffs are particularly good, but the real highlights are the mounrful melodies tucked behind the ferocity. There’s something a little dark, a little sad looming behind the towering ‘Crawling Chaos’, while the scathing title track draws inspiration from the void of Floridian death strongly. Vocally there’s a lot going on, with more standard growls interchanging with gurgling belches in places.

By the time the frantic ‘Deathwomb Incubation’ brings us to a juddering halt, it is clear that Gravewards are going to be a fun prospect for the future. Their brand of death metal has all kinds of nuances to look for but most importantly it is heavy as fuck, and will leave you broken but demanding more!

https://www.facebook.com/Gravewards/

 

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This is the second full length from Catalonian crushers Morbid Flesh, and you could be forgiven for suggesting that their lack of subtlety in band name, cover art or style means a lack of originality too. Not so, for ‘Rites of the Mangled’ is a hard hitting death metal album that doesn’t need to hide behind a facade of ‘OLD SKOOL’ nonsense. Their death metal is pure, brutal and straight to the point.

Opener ‘The Circle Cursed’ is a steamroller of a song, with massive riffs flattening everyone in reach. Like Bolt Thrower, but wider! Waves of brutal death metal cascade over you on ‘Rites of the Mangled’; aiming directly at your temple with a deadly accuracy. ‘Heretic’s Hammer’ slides some good Entombed moments in, with a swaying groove highlighted by howling leads. Vocally it is relatively straightforward, but the deep growls match the music perfectly. As the cold melodies about 4 minutes into ‘Feeding Mallows’ strikes you, it’ll send shivers through you.

Unholy Prophecies has a burgeoning reputation for finding excellent bands to release, and Morbid Flesh are proving to be another. A band not be held back by notions of ‘progression’, or ‘experimentation’, ‘Rites of the Mangled’ is a gauntlet thrown down to others as if to say ‘Let’s see what you can do’. Most will crumbleunder the pressure. Buy this now!

https://www.facebook.com/MorbidFlesh/

https://unholyprophecies.bandcamp.com/track/circle-cursed

http://www.unholyprophecies.com/

A deathly power trio from Indiana, Desekryptor’s follow up to their 2016 demo is the ugly and barbaric ‘Chasm of Rot’. Blood Harvest has spat this 18 minute fireball of ugliness out on cassette, and it drives a tattered, bloodied flag into the ground to proclaim Desekryptor as the latest pretenders to the throne of true, nasty, death metal. It is out now!

Opener ‘Serpentine Scourge’ is some relentless, nasty shit. Like being worked on by a surgeon with rusty tools and a sadistic streak, Desekryptor slash and rip at your senses leaving blood and foul rot behind. Crushing doomy underpins the brutality of the title track, which is rivalling the best songs I’ve heard all year so far. It is sludgy, savage and devastatingly heavy. Organismacide’ features the same ragged, raging fury; Desekryptor really grasping the blade and getting straight to the heart of death metal’s magic.

Closing with the rumbling ‘Apocalyptic Funeral Trance’, ‘Chasm of Rot’ is a precursor of terrible things to come from this band. Like a warped beast rising from the murk, Desekryptor are going to be the end of this world as we know it. ‘Chasm of Rot’ is merely a manifesto for the damned souls left behind.

https://bloodharvestrecords.bandcamp.com/album/chasm-of-rot-tape

https://desekryptor.bandcamp.com/

https://www.facebook.com/desekryptor/

Warcrab - Scars of Aeons

When death metal meets sludge, you’re probably going to be in for the heaviest of musical endeavours, and when you find Warcrab you’re in for a real treat. Their second full length, ‘Scars of Aeons’ is out very soon on Transcending Obscurity, and it could be one of the most devastating releases this year. Prepare to be flattened…

‘Conquest’ is one of the ugliest monoliths of extremity you’ll experience. Chilling murmurs begin to fade behind a dense, Crowbar-esque riff and an insistent drum line. Massive, deathly groove flows like a river, overwhelming you in a torrent of crushing riffs. That almost typical British death metal groove rolls out in full force, but the injection of Deep South sludge sensibilities looms large over the melodies that lurk within. The bulldozing start of ‘Destroyer of Worlds’ is a thing of mighty, brutal beauty.

The mournful ‘In the Shadow of Grief’ is bleak, rolling thunder upon a barren world, while the monolithic crush of the title track provides the final soundtrack to a burning, collaping planet. ‘Scars of Aeons’ finds Warcrab creating a sound that is beyond mere sludgy nihilism and deathly brutality, but a defining place beyond. Nasty, yet undeniably catchy in parts, Warcrab are heaviness incarnate and ‘Scars of Aeons’ is fucking great.

https://warcrabuk.bandcamp.com/album/scars-of-aeons-death-sludge-monstrosity

https://www.facebook.com/WarCrab666/

http://tometal.com/

Porta Daemonium - Serpent of Chaos

Chilean blackened death metallers Porta Daemonium have long been hidden away from us through self released digital recordings but no longer! Blood Harvest are bringing us their debut full length ‘Serpent of Chaos’ on vinyl, and what a fearsome slab of South American extremity it is…

Opener ‘Zazas Zazas Nasatanada Zazas’ (a phrase meant to open the gates of Hell) certainly does, with haunting growls lurking within hellish murk, before the howling frenzy of ‘Via Sinistra’ comes roaring behind. A molten beast of darkness and rage, Porta Daemonium have an impressive density to their music, and a threatening buzz to their guitar tone as well that reminds me of old Swedish death metal. Unstoppable percussive force powers the visceral ‘The Blood of the Dark Madness’, while ancient Immolation-isms weave their way through the brutal ‘To the Left of God’.

‘Serpent of Chaos’ is as cutting edge an old fashioned death metal record as you can get. The musicianship is amazing, the atmosphere is nasty and the authenticity is spot on. Ferocious in execution, yet barely derivative and packed with insane moments of brutality, Porta Daemonium may have become my new favourite death metal band of 2017, and ‘The Apep’s Chaotic Dreams’ takes heaviness to new lows. Worship the ancient ground this beast walks upon, for you are not worthy of their gifts.

https://www.facebook.com/portadaemonium666/

https://bloodharvestrecords.bandcamp.com/album/serpent-of-chaos-12lp

http://www.bloodharvest.se/

Contaminated - Final Man

The twisted, Lovecraftian nightmare that graces the cover of the debut record by sickening Australian death metallers Contaminated pretty much sums up the music to be found within. Contaminated have been a force on the Australian underground for a few years now, with some brutal demo tapes appearing but Blood Harvest have brought us the culmination of those early efforts, ‘Final Man’, out in June.
Opening with a wall of death metal fury that wouldn’t sound out of place on an early Suffocation album, ‘Squalid Survival’ sets the stage nicely for the carnage to come. The guitar tone is dense, the riffs hard, sludgy and non technical and the vocals are the belchings of the void. ‘No Time to Rot’ channels the ancient, dying spirits of 90s Finland, and ‘Boneless Mass’ slays with ragged weaponry. Contaminated play to all the strengths of old school death metal, and avoid the pitfalls of repetitiveness. ‘Co-opted into Worthless Sludge’ is one of the nastiest, heaviest things I’ve heard all year.
It isn’t difficult to find bands that play this kind of death metal these days, but it is difficult to sort through the sludge to find the good ones. Contaminated are dynamic, vibrant in their execution and downright ugly in their tone. ‘Final Man’ is an energetic, riff filled monster that chews most bands up in its wake, standing high atop the mangled corpse to reign supreme.

Spanish death metallers Opposer have been dragging deathly riffs from the miasma since 1992, and ‘Darkest Path’ combines a true old school vibe with some vintage sounding death and thrash riffs for a trip back in time to when the genres were more intertwined. Morbid Shrine Productions have blessed us with their fellow countrymen here, and it is time to rewind the clock to 1992…

Opener ‘Straight to Hell’ sounds like early Possessed or Death; thick riffing coupled with some insatiable speedy solos and a rabid, scowling vocal that oozes early 90s menace. There’s a lot of Obituary coming through the sludgey ‘Osiris Land’, and the further you go down the ‘Darkest Path’, the closer you come to a portal back to when the likes Malevolent Creation and Sepultura ruled the roost. Simple, propulsive and powerful makes tracks like the dominating ‘Under My Skin’ sound fearsome in their protection of old school death metal values.

Many hints of prime Bolt Thrower exist in ‘Darkest Path’ too, as well as dark melodies in the likes of ‘Satanas – Abode of Crow’ that remind you of old Finnish death or even Paradise Lost. Morbidly elegiac in parts, Opposer can switch between resolutely old fashioned thrashy death and more measured, darkly melodic rumblings with ease. The mark of a truly great band is to change dynamics without drifting too far from your original sound, and Opposer do this with aplomb. Resolutely old school death metal that crushes that sweet spot with devastating grace.

https://morbidshrineproductions.bandcamp.com/album/opposer-darkest-path-cd-2017

https://www.facebook.com/JoseOpposer/

http://www.morbidshrineproductions.com/