Posts Tagged ‘Thrash’

CORPSEHAMMER - Perversion Cover.jpeg

‘Perversión’ is the third in a horrendous trilogy of filthy black/thrash from Swedish/Chilean ragers Corpsehammer, and as you’d expect with a name like that, this four track EP bludgeons past you at such a force, you’ll need to play it a few times to grasp its true greatness. It will be out on the 13th April through Morbid Skull Records.

Opener ‘Reino – Sangro Del’ throbs with this menacing atmosphere, as spoken word descends into howling madness and the barrelling necrosis of the riffs appears. There is definitely an old school Scandinavian vibe here, meshing with an almost Discharge-like d-beat intensity. ‘Rito _ Magia’ is more of the tortuous, blackened death carnage, where cavernous vocals roar beyond ancient and terrible metal. ‘Perversion’ feels like if you touched its rusted, bloodied edge you’d be guaranteed to get tetanus. Or something worse.

This is a excellent completion to the trilogy, and continues to encapsulate a murky, raw sound that Corpsehammer have nailed. An ode to Darkthrone, Hellhammer and the like, Corpsehammer revive the old days and make it feel fun again. Short but ultimately satisfying, ‘Perversion’ is simple, nasty music for nasty people. Superb.

http://www.morbidskullrecords.com/

https://www.facebook.com/corpsehammer/

Advertisements

It’s been almost 12 years since the last time I saw Sepultura live, when they supported In Flames on the Come Clarity tour. I don’t really know why I missed them so many times, I’m still a huge fan and have never stopped listening to their music. I guess times never matched up. But GODDAMN have I been a fool in that regard.

Image may contain: one or more people, concert, night, crowd and indoor

First off, this is a new venue for me, the SWG3 in Glasgow’s West End which is an old warehouse that they’ve converted into what looks to be a fine arty venue. I missed Fit for an Autopsy’s set due to taking so long to find the venue but the last track I walked in on sounded great. It was my first time seeing Goatwhore live, and their vicious deathly black metal was particularly visceral tonight. Tracks like ‘Chaos Arcane’ roaring with barely contained malice really sets you up well for an evening of brutality!

Image may contain: one or more people, night and indoorImage may contain: one or more people, night, crowd, concert and indoor

Next up were Obscura, whose fret shredding magnificence was almost too much to handle at points. Spiralling solos ripped through the SWG3 crowd, while brutal death metal riffing sent the pit crazy. It was a technical overload, with the likes of ‘Anticosmic Overlord’ and the mesmerising ‘Ocean Gateways’ absolutely slaying the denizens who stood open mouthed at the maddening guitar work.

Image may contain: one or more people, people on stage and indoor     Image may contain: one or more people, crowd and indoor

Finally the best part of the evening. Sepultura are, frankly, incredible live. Derrick Green strides onto the stage, the most unfuckwithable frontman in metal and roars with power as the band slam through a set that would invigorate even the most jaded metal fan. Their material from new record ‘Machine Messiah’ slides straight in between the classics and sounds just RIGHT, and when Andreas Kisser tells us that it is Green’s 20th year as a member of Sepultura, you realise that he’s been there almost twice as long as Max was. That is amazing, and Sepultura have thrived with him. Squeezing in some stuff from ‘Against’, we end with Brazilian classics ‘Arise’, ‘Ratamahatta’ and the building shaking ‘Roots Bloody Roots’. This is a masterclass in heavy music and no one leaving the building that night would disagree. Massive, essential and brutal, Sepultura are awesome.

Image may contain: one or more people, people on stage, crowd, night, concert and indoor

dreadful fate - cover.jpg

Dreadful Fate’s ‘The Sin of Sodom’ debut was originally released this summer on a limited cassette run and sold out quickly. Edged Circle Productions are rereleasing it on 12″ vinyl, and you should get one quick, as I expect this little thrash gem to sell out just as quick.

Three ripping tracks of German style thrash with a cover of Kreator’s classic ‘Tormentor’ included? This should be the easiest ten minutes of my life. Opener ‘The Sin of Sodom’ will give you no doubts as to what Dreadful Fate are here to do. Galloping thrash riffs and a raw growl, spiralling solos and frenzied drumming are all here in force, paying perfect homage to the Teutonic greats. ‘Unholy Lust’ races past with chainsawing riffs and an infectious melody, and the faithful recreation of ‘Tormentor’ is awesome.

‘The Sin of Sodom’ is one of the fastest and most pleasurable distractions I’ve come across this year. It’s so quick and good that it has to be spun repeatedly in order to truly get that thrash fix itched. You’d be forgiven for believing these Swedes are actually a lost 80s German thrash band, such is the authenticity of their approach. ‘The Sin of Sodom’ fucking rips!

https://www.facebook.com/DreadfulFate/

https://www.facebook.com/edgedcircleproductions

Moonlight Prophecy - Vanquished

A multinational group, Moonlight Prophecy is the evolution of founder guitarist Lawrence Wallace’s instrumental shred project ‘Lawrence’s Creation’, and now their debut record ‘Vanquished’ is out with ten tracks of thrashy power metal full of classical guitar licks and progressive riffing.

The first band that springs to mind as an influence is Nevermore, particularly on the first real track ‘Escape the Ruins’, and that seems particularly pertinent due to Warrel Dane’s passing this past week. The riffing throughout is solid, winding and intricate while never losing itself in self indulgence. The soloing is top notch, and the songs are pretty hooky, even when the instrumental moments return. ‘Vanquished’ is a solid power metal record that is a bit chunkier and a bit more progressive than most. Each track is easily digestable, and most make you wanna just go air guitar crazy.

Musically you can’t really fault the execution of these songs, but there’s a sprinkle of magic missing. I feel bad saying that, because Moonlight Prophecy hit it out of the park in the likes of the chugging ‘Eternal Oblivion’ and the fret pyrotechnics of ‘Witch Hunt’, but I’m looking forward to where the band go from here rather than eager for a repeat listen. There’s no doubt that the potential exists here, it is whether Moonlight Prophecy can grasp it.

https://www.facebook.com/Lawrencescreation1/

http://moonlightprophecy.weebly.com/

https://moonlightprophecy.bandcamp.com/

Cover art

Vaultwraith seems to have born out of a desire to bring the horror metal of early King Diamond and Mercyful Fate to a more extreme and bloodthirsty audience. Searching in amongst the ruins of ancient castles, these Missourians have found rituals and arcane magic that brings to life the ghosts of Nocturnus, Celtic Frost and Bathory, weaving a classic heavy metal streak through them to create ‘Death is Proof of Satan’s Power’. Hells Headbangers is dropping this on Halloween.

First to rise from the grave is ‘The Vaultwraith’ and the band’s eponymous track is a perfect encapsulation of what is to come, with galloping thrash riffs meeting scowling vocals and insidious melodies to create something defiantly old school. Haunting keyboards hover in the distance, enhancing but never overpowering. Imagine ‘Ravaged in the Crimson Mist’ as a Judas Priest song, but dipped into the murky black waters of Sodom, or Bathory. Vaultwraith’s true talent lies within their ability to create a collection of songs that are both catchy and still raw and filthy.

You’ll be humming every nasty riff and throaty growl, air keyboarding when the ethereal notes seep through this blackened thrash nightmare. The rumbling menace of ‘Open Grave Rape’ and the ethereal grimness of ‘High Priestess of the Wolf Coven’ mixes the raw thrash of the early tracks with a more measured, horror-induced style that really stands out. ‘Death is Proof of Satan’s Power’ is an album that unlocks its majesty slowly, drawing you in with temptains of headbanging and then meanders through your mind, enslaving you to its ghostly horrors. Stunning.

https://vaultwraith-us.bandcamp.com/album/death-is-proof-of-satans-power

https://www.facebook.com/vaultwraith/

http://www.hellsheadbangers.com/

The joyous Bay Area thrash of Psython has been an underappreciated part of my music collection for the past few years. Their last piece of work, ‘Outputs’ was an infectious, Death Angel worshipping joy, and their new release ‘Hatred’ looks to continue that path. It’s going to be out in September, self released, so keep an eye out!

Immediately the riff machine is engaged into high gear with the thrashy ‘Jörmungandr’, and from there the thrash never stops. The catchy as hell ‘Teeth’ has got some cool melodies built in, while the soloing work on each track is classic heavy metal. Inspiration clearly runs from bands outside the Big Four like Exodus, Sacred Reich or Death Angel, as the savage ‘Ten Pounds’ demonstrates a rawer attitude than the Big Four influences that sneaks into other tracks, but still manages to get a dose of the epic. Basically almost every Californian thrash band seems to bleed into ‘Hatred’ somewhere, and the overall result is a thrash gem!

I really like what Psython do. Their thrash is at once both derivative and energisingly fresh. It puts a boot straight up the arse of classic thrash, and while doing so comes across as unique enough that you’ll never get bored. Let a little ‘Hatred’ into your life…

https://www.facebook.com/psythonofficial/

https://psython.bandcamp.com/

 

Chilean duo Crime have exploded out of the rock and roll underground in South America with their debut tape ‘First Crime’, out now on Shadow Kingdom Records. Three tracks of energetic, punkish heavy metal invade your ears, inspiring the raising of horns and the thrashing of necks.

Opener ‘Highway Robbery’ takes a while to get going thanks to a lengthy and creepy intro, but once it kicks into high gear it provides delightful Venomisms with some killer hooks. Galloping leads mesh with a squealing solo that invokes fond memories of early German thrash, while raspy vocals match up perfectly. Same with the infectious ‘Give Your Life to the Ruin’, where the urge to air guitar furiously increases with every minute.

Closing with the rampant ‘We Shall Destroy’, it is amazing how a short sharp burst of raucous energy can really reinvigorate your love of heavy music. Crime may steal every trick in the book, but ‘First Crime’ is a love note to the genuine roots of the genre and therefore you can be forgiven all of your sins when you make us all remember how fun metal used to be.

https://shadowkingdomrecords.bandcamp.com/album/first-crime-2

https://crimesofheavymetal.bandcamp.com/