Posts Tagged ‘Nefarious Dusk’

This blog started many years ago with a big focus on the Cumbrian black metal scene, as I had recently moved to the area and was enthralled by the bleak beauty of the fells and the bleak music they inspired. Nefarious Dusk’s ‘God is Dead’ single was an early gateway to it, and they are now releasing ‘The Wanderer of the Cold North’, another tribute to this cold northern realm.

The gloomy open to ‘Hodbarrow’ really ramps up the atmosphere immediately before the fiery ‘Millom’, and when the first of the four part ‘Helvellyn’ hits, the first thing you can feel is the improvements in production. A warm feeling of roundedness filters through the crisp, icy riffs and gives everything just a little more potency. The guitar work is still very much classic second wave black metal, scouring through your veins like a howling wind while a savage rasp conjures black magic from cold, dark places. What Nefarious Dusk has now is a much grander scope; despite the necrotic guitar tone and the bleak, wintry assault on the senses, ‘The Wanderer of the Cold North’ has a lot of huge spaces, reminding me of Wolves in the Throne Room.

Nefarious Dusk have really put together what you could describe as the quintessential black metal record for 2019. Holding true to the ancient evils that created this special style, ‘The Wanderer of the Cold North’ also feels fresh and new, with somewhat haunting melancholy seeping through the blizzard. Perfectly capturing the spirit of these old English places, where the land aches with primordial mystery. Superb

https://www.facebook.com/nduk666

https://shop.purity-through-fire.com/en/

Available from Sixsixsix Music, there are four non profit CD-Rs available for a measly £2 each. These are sold simply to promote the band involved, which at the current moment are India’s Eyes of the Martyr, the UK’s own Slaughter Throne and Nefarious Dusk and American melodic deathsters Necrocosm. Each comes in a plastic slipcase with artwork and is remarkably professional considering you only pay two pounds for it. Just goes to show that Steve at Sixsixsix gives a fuck about the bands he supports. I’ve reviewed the majority of this music before here at the Killchain, so this is only a brief run down:

Nefarious Dusk is one of the UK’s best hidden secrets, playing raw, atmospheric black metal the way it was supposed to be. Eyes of the Martyr are India’s equivalent of Lamb of God; chunky, heavier than a coffin slab and rifftastic. I’ve already dubbed Slaughter Throne to be the UK’s answer to Behemoth, and Necrocosm play some great, solid melodeath tracks without sounding too repetitive. I’ll review the Necrocosm demo in full sometime soon.

Simply put, this is not only a fantastic bargain at £1 per single, but helps to get these bands to a wider audience which is a must. Steve at SixSixSix is constantly thinking of new ways and ideas to promote the music he loves, and more label bosses should be thinking like this, lest we lose the magic of physical releases all together. Buy them here

I’m assisting my friend Steve Thomas Green at Sixsixsix Music with a few compilation ideas for the next few months, so I was greatly looking forward to the release of his ‘Helvete – Confederacy of Hatred’ compilation he has been putting together recently. This is a black metal compilation of unsigned or small label bands from around the world as a promotional vehicle. It is available here at Buy It Now (Name Your Price) on the label Bandcamp page, and for what you get not donating is a sin! A track by track rundown is my contribution to the promotion of these bands. We must ALL support the underground metal scene as much as we can, otherwise we will lose our most vital and bullshit free source of quality music.

We open with ‘Manifestum Mortis’ by Serbia’s Ophidian Coil. This is how you want a compilation to start, a scything statement of intent that leaves you breathless, savaged and beaten. Punctured in the middle by a majestic, icy solo, this is a band to look out for.

Argentina’s Capgrass are next with ‘Disruption of the Deepest Dreams’. A slice of the frozen north from South America, Capgrass are channeling Immortal’s majesty with this track, six minutes of relentless, hypnotising black metal, broken only by some bleak acoustics and a wonderful solo.

Krajiny Hmly from Slovakia have a tough act to follow with ‘Hlbiny Spanku Zabudnutia’, but the only bad thing about it was my attempts to spell their name. This doesn’t seem like your conventional black metal on first listen, with oddly melodic opening riffs permeating the whole song. There’s a feeling of uneasiness about it, enhanced by the echoing rasps of the vocals and the flourishes of pagan metal.

India’s Solar Deity are a particularly highlight of this comp for me. Their ‘Circling the Moon’ track is totally killer, and is a perfect example of the great things appearing from Indian metal in the past few years. It feels like prime ‘Transylvanian Hunger’ material, energising and thoroughly hateful and raw. The moments of calm only enhance the storm.

It is time for some USBM to appear, and representing is Pittsburgh’s Nox Aeternum with ‘In the Midst of Scarlet Passageways’. It struggles to maintain the heights of Solar Deity, but only just. This is another brilliant track showcasing the quality of US black metal. It reminds me of Marduk’s blitzkrieg attack, coupled with some of Satyricon’s more epic moments. It’s not all hipster or eco-black metal over the pond.

I’ve written about Skiddaw before, and they contribute ‘Even Titans Fall’ from their self titled debut. Go read my review to understand why this Gorgoroth-esque razorblade will flay skin from bone.

A new track from the UK’s Nefarious Dusk is always something to bring a black tear to your eye, and ‘Cast Me to the Lions’ is a raw, bleak and thoroughly dark piece of black metal. This is debut record Bathory shit here my friends, and when the early 90s Darkthrone riffs kick in, you’ll think you’re listening to the corpse painted hordes for the very first time.

The more subdued acoustic intro to Paimonia of Serbia’s offering, ‘Ruined Form Catharsis’, is skewered violently by a urgent, artillery assault of fiery black metal. A track that couples the more traditional aural violence with moments of introspective calm. Another highlight of the comp. We’re ONLY HALFWAY THROUGH PEOPLE!!

Track 9 consists of Columbia’s offering, Penumbra. As traditional with South American black metal, ‘Ritual Genocide’ is rawer than a freshly savaged carcass. There is only one mission here, to batter your brain into submission with blasphemy and battery.

Belgians Sercati open totally differently to everyone else here, with an almost gothic style keyboard intro to ‘Hound from Hell’. It creates a bit of a shock, and allows a bit of breathing space between the constant barrage. Mixing the black metal with something approaching more rock sensibilities is brave, and works here rather well, creating a very memorable song.

I’ve mentioned Baalberith here on the site just recently so I’ll jump ‘Battle for the Blazing Dawn’ and straight into Norway’s Uburen and their track ‘Deprived of Empathy’. Now, these guys have a disadvantage of being from the home of proper old school black metal and so the expectations should be high. Uburen do not disappoint however, with a slower and more malevolent song than a lot of the tracks here. It is atmospheric, crawling and oppressive.

Short but sweet is the next offering from Italy’s NyX. ‘Tulpa Strigoi’ is replete with inhuman growls and is powered by an almost unstoppable juggernaut of blastbeats. Consider the no frills black metal 101 box checked by these guys.

Approaching the end of this black metal marathon, we come across the longest track on the compilation, Chiral (Italy)’s ‘Atto II: Abisso’. Opening with a spine tinglingly peaceful picked intro, you are given the feeling of Opeth’s ‘Damnation’ record. You can believe something special will occur here if a black metal band is willing to risk their ‘troo kvltness’ on such a melodic start. When the blackness arrives, it is just as bleak and mournful. The song swells with evil, a grandiose and hypnotic epic. This rivals Solar Deity as the stand out track on the compilation. Chiral are not afraid to let good song writing get in the way of their underground credentials.

The comp closes with the one two strike of Cvinger and Corruptor Ignis. The former is Slovenian, and is clearly inspired by some malignant dark beast that rages inside them. Its frantic, its raw and its fucking intense. As their homeland is a place close to my heart, I hope they do well out of this, as you’ll struggle to find much as one dimensionally vicious as this in modern black metal. When the pace slows, the feeling of unease grows. It’s fucking brutal. Corruptor Ignis finish us up with a slab of Gibraltan black metal. Yes, even the sunnier edges of what is left of the Empire is capable of summoning black magic from the depths of hell. It is difficult to appreciate the challenge of ending a compilation of some of the best bands in underground black metal, but Corruptor Ignis do it with style. They bring us to a close with some rasping black metal fury that drags you down into a suffocating atmosphere of hatred and bile.

Well, that was fucking epic. I haven’t written a review this long before, and normally I wouldn’t give each song so much depth but since each band deserves their own individual moment, I felt it was only fair. Most of these bands I shall endeavour to support financially with some physical purchases. Some I shall wait to hear more from. All I will recommend to people who like good music. Support these bands and buy this comp! Hail the Legions of Satan!

CBM (Cumbrian Black Metal) was a gift from the dark Gods last year, when I found the excellent Helvellyn and Torver as bands in my local area to support and listen to. Helvellyn’s ‘Hordes of White Light’ demo was my favourite of last year, and I’ve been lucky enough to review Skiddaw’s debut EP (due out soon on SixsixsixMusic) and the long awaited Funeral Path and Torver split in the last week or so. My latest find is Nefarious Dusk, another two man Cumbrian Black Metal band, who are looking for a label to work with. They only have one song available to listen to on their Facebook page, but it is a corker.

‘God is Dead’ starts with a delicate minor chord piano intro, which kicks into a measured, buzzing black metal riff. This is only a “rough mix” of the track, but yet it sounds clearer and crisper than a lot of black metal demos. Sometimes the search for pure, unadulterated rawness can affect the quality of the music. I’d listen to well produced black metal over a wasp-in-a-jar production anytime. ‘God is Dead’ possesses an icy clarity, and moves at a sinister pace with rasping, razorblade-gargling vocals.

If Nefarious Dusk go on to release a full demo, I’ll be all over it. This is black metal with clarity, with focus, with serious potential. I’m loving it.