2004 marks 10 years since Swedish post metal overlords Cult of Luna released the majestic and massively influential ‘Salvation’. Any band who has anything remotely post metal in their sound owes a debt to this masterful record. I missed this the first time around, not getting into Cult of Luna until ‘Somewhere Along the Highway’, but my good friend and brother in arms Geary of War has been a big fan for a lot longer, so he’s put together a piece for us on why this record is so good.
This is not a track by review, the internet’s full of them, this is an account of how 73 minutes and 45 seconds of music left an indelible mark upon my soul and how, even as time sees the album spun less, its impact never changes. I could never fully tell you why but I always find the best season for this album is now, the autumn. Especially those crisp evenings when the sun is at its finest hallmark moment, that twilight phase. To me it was always the soundtrack to a fantastic time of year where, with earphones nestled in my lugs, any bullshit of the day faded as I took it all in.
On the fourth of October 2004 the beating heart of Sweden’s post metal front dropped, in my humble opinion, a true classic of the genre. With its minimalist cover and simple title, ‘Salvation’ was to prove the true evolution of the band. I was already a huge fan of the band as mentioned previously and with this enthusiasim I delved into ‘Salvation’ full of hope and I was not disappointed.
The quiet, almost timid, opening of ‘Echoes’ always makes me think of Pink Floyd and here CoL’s mastery of the silence around the sound is reminisent of the prog titans leading into a cresendo of noise, riffs and power. You won’t think of it like this at the first listen but this album has you by the short and curlys. What have this band done? What have they changed? Were they not the face melters of the previous albums? Wham!! Yes they are, get a bucket to catch your melted face, open your mind in your best Total Recall moment for they have changed. Take a seat, relax and marvel as the journey has just begun.
Following this grand opening is breathtaking, the eb and flow of agression and clarity reels you in leading to a personal highlight that is ‘Leave Me Here’. The third longest track on the album flies by with a steady gathering of pace until the shattering riff at the end. Coupled with the war drum like rhythm of ‘Adrift’ which immediately follows, you will be reaching for your axe filled with the need to unleash Viking Beserker rage fitting of these gifted Scandinavians.
Then once again the evolution of the band is on show with an almost reflective moment before surging ‘Into The Beyond’, a fitting title for this powerful and evocative creation. After all how many times have bands been accused of selling out when adding a softness to their sound? Not something that could ever been said with any gusto here, in fact were you to do so, you should brace yourself for a resounding wall of laughter.
True classics stand the test of time, the even better ones sound cutting edge years after their original release. ‘Salvation’ is the latter. Dust it off, turn it up and pray to the Old Gods and the New, the Lords of Kobol, Asgard, Anubis, Ra and Isis that their current hiatus is short lived.