Posts Tagged ‘Triptykon’

Now my previous lists have been specific to genre, but this is my ultimate top 20 of the year. It’ll include some records that you won’t have seen in previous ones as, for example, I only really heard two good power metal records this year, so I can’t really make a list from it. Also, where do you categorise certain bands, like Triptykon, who cover a wide spread of genres? Anyhow, my top favourites of the year are as follows:

20. Killer Be Killed – S/T – A supergroup that combines equal parts of their bands to create awesome

19. Grand Magus – Triumph and Power – Riffs of stone and hooks of great magnitude, the title track alone is one of my favourite songs of the year.

18. Winterfylleth – The Divination of Antiquity – Another record of spellbinding black metal from England’s finest. Windswept and vast

17. Edguy – Space Police – Catchy as hell and stupidly anthemic, Tobias and the squad bring some RAWK to their power metal greatness

16. Electric Wizard – Time to Die – A suffocating, occult riddled drag down doom alley. Evil and heavy as fuck

15. Mastodon – Once More Round the Sun – A big improvement over The Hunter and Mastodon’s prog doom trip extends further

14. Mayhem – Esoteric Warfare – A follow up to ‘Ordo Ad Chao’ was always going to be difficult, but the True Mayhem brought out another stormer

13. At the Gates – At War With Reality – Thank fuck we finally have the follow up to ‘Slaughter of the Soul’. They put all copycats to shame.

12. EyeHateGod – EyeHateGod – NOLA sludge titans send Joey LaCaze off with one of their most superlative records yet. Angry, harsh and utterly devastating

11. Decapitated – Blood Mantra – Poland’s finest sons of death continue their streak of blinding records with yet another punishing exercise in tech death

10. Anaal Nathrakh – Desideratum – Nasty, abrasive and skullfuckingly epic in parts, Anaal do things their way, and better than most

9. Inter Arma – The Cavern – A Spellbinding 45 minute trip through the mind of one of post metal and doom’s brightest sparks. Wonderful

8. Hour of Penance – Regicide – Always brutal and relentless, I’ve grown fonder and fonder of this record the longer the year has gone on. Death to all!

7. Dead Congregation – Promulgation of the Fall – Nasty, lurching death metal chaos, belching death and pestilence to all

6. Whalerider – Thanatos – A surprise late entry, and its been on constant rotation. A stormingly good rock record with doses of psych doom weirdness too

5. Panopticon – Road to the North – Soaring and scorching black metal, vast and hypnotic. Epic black metal is the theme this year, and its great

4. Sabaton – Heroes – I fucking love this band. No one writes more anthemic metal tunes than this. Fantastic record and catchy as hell

3. Mount Salem – Endless – A starkly beautiful trad doom record with perfect vocals and atmosphere. The fact it is third on my list is testament to its quality

2. Behemoth – The Satanist – The rebirth of a legend and a triumphant return. Any other year this would’ve been the best by a country mile

1. Triptykon – Melana Chasmata – Nothing could beat the pure misanthropy, despair and heaviness wrought from Tom G Warrior. A simply monumental release

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I plan to spend most of December catching up on as many records from 2014 that I’ve missed so that my end of year lists can be a bit more researched and accurate than they would be if I wrote them now. However, I know for a fact that this is a list I can put together now. There’s a definite number of records I keep coming back to from 2014, and many will feature again in lists in a month’s time. But for now, here are my most played records of 2014:

1. Mount Salem – Endless: A hauntingly brilliant doom record, and probably my favourite discovery of 2014. A full blown contender for my favourite record of this year, Mount Salem are something very special.

2. Killer Be Killed – S/T: A supergroup that matches the term in every way. ‘Wings of Feather and Wax’ is up there with my favourite songs of the year too

3. Mastodon – Once More Round the Sun: A storming comeback from the masters of prog doom

4. Behemoth – The Satanist: I see these guys in 10 days time for the first time, and the newest record has been one of 2014’s most astounding achievements

5. Triptykon – Melana Chasmata: Another harrowing trip into the darkness of Tom G Warrior. Bleak and beautiful

6. Edguy – Space Police: My girlfriend’s favourite record this year I believe, and ‘Love Tyger’ is the stupidest brilliant song of the year. It’s so FUCKING catchy. I love this record

7. Sabaton – Heroes: I see these guys in only 6 days’ time and I think their newest record has their strongest collection of anthems since The Art of War. ‘We saw crosses grow on Anzio!’

I’ve read a few of these lists already in the last month or so, and even though I am now perpetuating the idea (how long before we do ‘best of so far’ lists every month?), I think it is still viable as a point of interest. 2014 has been a pretty damn fine year for extreme music already, and we’ve just reached August. Now, advance warning here, I am NOT including any of this year’s record which I haven’t heard yet. So, as good as the new Wolves in the Throne Room record is supposed to be, as I haven’t heard it yet I will not pass judgement. It’s inappropriate, and unfair. No doubt it will appear in my ‘year-end’ list if its as good as I’ve read. Any way, top 10.

10: Origin – Omnipresent: I only heard this for the first time last night, and I’ve already ripped it twice since. Origin do tech death with astonishing violence and masterful dynamics. It’s a vicious, sleek death metal record that will flay skin from bone.

9: Obituary – Inked in Blood: Now, I am lucky enough to be reviewing this for my good friends at Sleeping Shaman, and so I’ll keep the details to myself but nonetheless it is top 10 material, no doubt.

8: Killer Be Killed – S/T: This is a definite highlight for me, a supergroup that matches it’s potential astoundingly. First track ‘Wings of Feather and Wax’ starts almost every playlist of mine at the moment

7: Arch Enemy – War Eternal: Arch Enemy release a new album after losing their most iconic weapon in Angela Gossow. Thankfully, Alyssa Gluz-Whyte is more than up to the task and this is a new melodic death metal classic

6: Vader – Tibi Et Iti: Polish death metal legends create yet another ripping, tearing death metal album full of death and metal. Well, it’s never gonna be anything else is it? Brutal

5: Mastodon – Once More Round the Sun: Mastodon may never equal ‘Crack the Skye’ but ‘Once More Round the Sun’ is the progressive coupling of grace, crushing riffs and catchy ass songs. Love it

4: Mount Salem – Endless: A surprising album for me, a debut of a female fronted doom band that has captured my imagination. Vocals are lush, riffs are huge and the whole air of the occult makes the complete package.

3: Triptykon – Melana Chasmata: Tom G. Warrior’s mesmerising journey into the darkness is awe inspiring at every turn. No one should have been able to better ‘Eparistera Daimones’, but he did

2: Boris – Noise: A band that can rarely do wrong, and rarely fits any kind of genre or structure. Boris ARE my favourite band, and ‘Noise’ is an elegant record that takes all their myriad sounds and condenses them into one beautiful whole.

1: Behemoth – The Satanist: What more can be said? For Nergal to return from leukemia to music is miracle enough. To create one of metal’s most defining records in the 21st century is even more staggering. Dripping with evil, twisting black metal in new and malevolent ways and leading the armies of darkness into the light, ‘The Satanist’ will take some beating this year.

 

But we still have new Electric Wizard to come…

How do you begin to approach something as important as the new Triptykon record? In the light of cover artist H.R. Giger’s unfortunate passing recently, it makes it all the more difficult. The man behind Triptykon is one of the most genuine visionaries in all of metal history. The last two records he has written have been two of the darkest, heaviest and most affecting albums of the past 10 years. Tom G. Warrior creates his own pressure for followups, yet it doesn’t seem to phase him, especially if ‘Melana Chasmata’ is anything to go by.

‘Tree of Suffocating Souls’ is not, however, where I saw this album going at the start. Previous work has leaned more toward the occurence of riffs like earthquakes, shaking whatever your belief is heavy to the very core. This is about as thrash as the man has been in years. It’s jarringly welcome; taking your preconceptions and tossing them out the window. This morphs into the slow burning ‘Boleskine House’, which brings back the tar thick riffs, juxtapositioning delicate female vocals over Warrior’s sombre tones. It invokes the same feeling I got the first time I heard ‘Shatter’, still my favourite Triptykon song.

‘Altar of Deceit’ provides the first properly MASSIVE riffs of the record, crashing tectonic plates of doom at it’s darkest and most malevolent. Warrior’s roar sermonising the end of the world, his vocals taking that delightfully sparse approach. He says more with a few words than most vocalists manage in an album. Around the six minute mark, the death march begins, dragging us all to an inexorable end. And we’re only on the third track…

‘Melana Chasmata’, and Triptykon itself, is the unblinking, unwavering sound of pure doom. Not the genre, the feeling of the end. Apocalypse. Darkness. Death. It personifies the coming end in various forms, be it the savage attack of ‘Breathing’ that invokes some of Celtic Frost’s most iconic early work, the melancholy gothic undertones in the majestic ‘Aurorae’ or the slow crawling, inescapable darkness of ‘Demon Pact’.

By the time the record is over, after the titanic menace of ‘Black Snow’ and the atmospheric beauty of ‘Waiting’, I feel almost empty. ‘Melana Chasmata’ takes everything from you, taking a work of ugliness and despair and creating something beautiful. ‘Melana Chasmata’ stands above ‘Monotheist’ and ‘Eparistera Daimones’ as Tom G. Warrior’s most powerful, devastating statement of intent. He is the whisperer in darkness, and the architect of death, and this is the blueprint for demise.

http://loudwire.com/best-metal-songs-of-2014/

This link takes you to Loudwire’s choices for best metal songs of 2014 so far. Whereas I’m much more of an end of year guy, its a great starting point for where metal has been great this year (and its not even May yet). I decided to do a quick rundown of them all for you, and also to refresh myself on their awesomeness, as I'[m still catching up on records from last year, let alone this year.

Mastodon – High Road: What a teaser for the new record! It’s got that killer Mastodon propulsive thrust, so essential in making them the powerhouse they are, but never sacrificing the uber melodic choral flair they’ve developed over the past few records. Essentially, its what Mastodon in 2014 HAD to sound like, and it has raised my expectations a lot for ‘Once More ‘Round the Sun’

Insomnium – While We Sleep: I’ve been a big fan of this band for years, since their ‘Above a Weeping World’ record, and they score again with their triumphant mix of gloomy death/doom and melodic metalcore. Insomnium have emotion, and its a big hook for me. They weave some excellent gothic harmonies into their metal, and I look forward to getting a copy of their new record.

Septicflesh – Order of Dracul: Septicflesh are a brilliant prospect; symphonic death metal with epic orchestrations and terrifying aggression. They are heavy as fuck, and this track bodes well for the rest of ‘Titan’. Its got a lot to live up to, but if past efforts have shown us anything, its that Septicflesh can do it.

Triptykon – Boleskine House: Probably my most anticipated record of the year, ‘Melana Chasmata’ only needs to be half as dark, dense and twistedly evil as ‘Boleskine House’ and it’ll be the best record of the year.

Behemoth – Blow Your Trumpets, Gabriel: I believe I’ve waxed lyrical about this album enough. Stunning

Black Label Society – My Dying Time: It’s classic BLS, heavy bluesy riffs, pinch harmonics and the finest of Wylde’s soulful Layne Staley impression

Cynic – True Hallucination Speak: Cynic may have left the death metal behind, but ‘True Hallucination Speak’ is a signal that they remain one of progressive metal’s most awe-inspiring bands.

Arch Enemy – War Eternal: Ok, the new girl may not quite match up to Angela Gossow’s terrifying roar, but its a damn close one, and ‘War Eternal’ is a fine track of razor sharp melodeath that I hope is a signifier of what the new record will be. Gossow is gone, but the metal lives on. WAR ETERNAL!!

Agalloch  – Celestial Effigy: Agalloch have become one of those bands that mature and evolve on every record, making them a joy to listen to. Their new track is another example of how epic black metal and doom can mix with breathtaking results

Steel Panther – Gloryhole: This is fucking ridiculous. It’s also brilliant.

Trap Them – Salted Crypts: Nasty, visceral hardcore, Trap Them have been essential for years, and this track is no different.

Ringworm – Hammer of the Witch: Man, this track just slays. Aggressive, vicious and damn brutal. Exactly what you need in your life!

Hark – Palendromeda: A new prospect in stoner doom, and if this track is much to go by, it should be a bright future for these Welsh lads.