Posts Tagged ‘Sludge’

Dark, noisy sludgelords Vor have dragged themselves from the swampy, Spanish underground to bring us ‘Depravador’, a two man journey of apocalypse through music. Abrasive and violent, we are brought this latest release by Third I Rex Records.

The opening track showcases immediately the potency of this drums and bass combo, with dizzying low end throbbing with filthy, fuzzy tone. Hatred fuelled shrieks leap from behind each horrifying riff but this isn’t merely directionless noise. The grinding grooves of ‘Black Goat’ bring a very EyeHateGod vibe, while the crusty ‘Cudgel’ could sit comfortably on a Black Flag record. Vor’s music is diverse and heavy as fuck, never falling into one trick pony territory. Sludge meets noise meets hardcore punk attitude and the collision is nuclear.

The merciless, face destroying groove that permeates the filth encrusted monolith ‘Daga’ is only rivalled by the shrieking brutality of closer ‘Dark Fraga’. ‘Depravador’ is a record that pulses with a miasmic, tortured soul. It isn’t easy to categorise what Vor do, but it isn’t difficult to describe it. They contort, they disturb, they smother, they fucking rule.

https://3rdirex.bandcamp.com/album/depravador

https://www.facebook.com/vornoise/

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Bodies on Everest - A National Day of Mourning

British noise/sludge/drone enthusiasts Bodies on Everest have released this… this monstrous beast called ‘A National Day of Mourning. An abrasive mix of noise, drone and miserable sludge all compacted into one, it plows a new furrow in the search for extreme music’s farthest reaches. It is out now through Third I Rex Records.

Opener ‘Unreleaseddeathvideo.flac’ hums ominously, building towards a crumbling, cacophonous conclusion. Imagine what the opening of Hell might sound like, and you’re close. Apocalyptic samples float amongst the crackling feedback, while a clutching hand reaches fpr a thread of your psyche, ready to unravel it as the oppressive ‘Tally of Sevens’ crawls on. Imagine the blackened drone of Sunn0)))) melting into the most choking of Godflesh’s works and you’d be close. Imagine the rumble of Conan but filtered through tar and a black hole. Imagine Killing Joke and Iron Monkey make a record together, and you’d get the insistent nihilism of ‘Suspicious Canoe’.

Keep imagining, but you’ll never quite get close enough to really classify this aural miasma. The awesome crush of ‘Tally of Sevens’, the sinister storytelling of the monolith ‘Gold Fangs in Enemy Territory’, the ‘man in a robot insane asylum’ creeps of ‘Shotgun or Sidearm’; this is a record like nothing you’ve ever experienced. By the end of the mind crippling closer ‘Who Killed Yale Gracey’, you’ll never be the same. You will, however, be reaching for the play button just one… more… time…

https://3rdirex.bandcamp.com/album/a-national-day-of-mourning

https://www.facebook.com/bodiesoneverestband/

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Finland’s Lurk are due to release their new record, ‘Fringe’, at the start of August and it is a multifaceted, layered sludge doom record that incorporates elements of death metal and black metal into a churning whole. Transcending Obscurity is dropping yet another modern classic here, as Lurk take us to strange and alluring vistas of pain.

The baleful opening tones of ‘Ostrakismos’ feel very black metal; cold and gloomy. It has a perfect balance of innate heaviness and a glacial bleakness about it, with whispered growls lurking underneath. Dense and murky, ‘Tale Blade’ lurches forward with tar thick groove and a deathly roar powering it. Imagine coating this powerful beast in the gleaming blackness of Panopticon, or Wolves in the Throne Room and witnessing the soaring black metal presence. The grinding fury of ‘Offshoot’ is brutal, and the unsettling notes at the start of the stunning ‘Elan’ mixes well with the an almost soulful vocal. Both of those, of course, disappear into a void of trudging, suffocating nihilistic rage, crawling from a black filth. ‘Fringe’ is a record that encapsulates much of mankind’s darkest moments, but leaves enough spaces for the odd ray of ethereal hope to shine through.

Mysterious, ghostly but very much rooted in the soul of our blackened earth, Lurk’s magnificent carvings into the walls of sludge doom are a sight to behold. Cavernous yet fragile, visceral and yet soaring, ‘Fringe’ is an album unlike many others. It is capable of touching you in ways you didn’t expect, never losing that primal heft. A unique addition to 2018’s canon of excellent records.

https://tometal.com/

https://www.facebook.com/lurkdoom/

https://lurkdoom.bandcamp.com/

Beldam - Pasung

Sludge doom collective Beldam’s sophomore record, ‘Pasung’, is a statement regarding true nihilistic heaviness. Dropping in late January, Horror Pain Gore Death Productions have put this out and it truly is one of the nastiest things to be released this year. Join me on a dark journey through misery, filth and black abysses.

New vocalist Randall Guidry really elevates this record instantly with the tortured, rasping growls he lays down in opener ‘Vial of Silence’; a choking, roiling swamp of a track where massive riffs rumble with tectonic depth. Abyssal rage coughs from the suffocating ‘Sunken Sorceress’, who coils black magic tendrils about this sludgey menace. Absorbing the grinding doom from early Sabbath and filtering out some of the more abrasive moments from EyeHateGod, Beldam drags this genre into new and terrifying locales. ‘Shed the Coil’ has a brutal, almost Autopsy vibe to it in parts, while the driving groove of ‘Carrion Feast’ is righteous in its nihilistic grind.

‘Pasung’ is a record that I have overlooked in the past six months, but now hearing it for the first time realise that there have been few records that truly capture the feeling of hopelessness found in Beldam’s work. This is raw emotion, coated in thick blood and set to mighty riffs of doom. ‘Pasung’ is a record that should not be lost or ignored, but raised on a filth encrusted pedestal as a monument, and a warning, to those who follow.

https://www.facebook.com/BeldamOfficial/

https://hpgd.bandcamp.com/album/pasung

http://www.horrorpaingoredeath.com/store/hpgd164.html

With a name like Denim Casket, it’s almost gotta be old school thrash, right? Wrong actually, as this mutated Idaho trio are some bass led, noise mongering chaoticians. Their self released demo is available now through their Bandcamp.

Nasty, grinding sludge/death metal murkiness is probably the best way to describe this demo. The short, sharp blast of ‘Reverse Egg’ leads us to the rabid ‘Ham is Hog Butt’ that spasms and crawls like that terrifying lassie out of the Grudge. ‘Permanent Marker’ is similar, evoking this feeling of dread that is enveloping. Maddeningly heavy, due to their double bass/no guitar assault, Denim Casket grind along at the low, low, low end of the spectrum. Feedback squeals evoke EyeHateGod in the raw, sneering ‘Wrinkled Shirt’.

It is almost difficult to do Denim Casket’s demo justice. It is nasty, brutal music that doesn’t really fit into any real genre. Sludgy, abrasive, scowling; it is the aural equivalent of watching someone get their head kicked in in a filthy alley. Unpleasant but you can’t really look away.

https://denimcasket.bandcamp.com/album/demo

https://www.facebook.com/Denim-Casket-1641474882547114/

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The new record from Californian ‘space sludge’ band Archons is another trip into the unknown, powered by riff and wrought from psychedelica as much as doom. It was self released by the band in October of 2017, and if you enjoy a rumbling, doomy record full of hooks then ‘Lords of Light and Thunder’ is probably for you.

The burning, smoky groove of opener ‘Galaxians’ mixes the thick riffing of the likes of Kyuss or Crowbar but adds a little bit of White Zombie weirdness to it. Gruff vocals couple with the swaggering groove, and yet something otherworldly is in there as well. Strange bleepy samples appear, while the driving ‘Black Lotus’ interjects a little Baroness into the mix. ‘Lords of Light and Thunder’ is a record full of muscular riffing, throaty roars and psychedelic atmospheres; it is difficult not to enjoy the grinding warp of ‘Red Shift Demon’ or the grimy ‘Kid Nitro’ when each chunky riff slaps you across the face.

Not an easy genre to differentiate yourself in, but the spacey sludge effects of Archons helps. Their riffs are derivative but still great, and each track is at least recognisably different from the previous. Unfortunately there are a lot of bands peddling this kind of primal rage filled stoner doom/sludge and it’s going to be difficult for Archons to stand out. ‘Lord of Light and Thunder’ should not be missed though, as it is a fun album with plenty of great moments, particularly the monstrous ‘Mysterians’.

https://archons1.bandcamp.com/album/lords-of-light-and-thunder

https://www.facebook.com/archonsdemandcontrol/