Posts Tagged ‘Post Punk’


Weathered Statues is not the kind of band that the Killchain normally deals with, but I was so enthralled by the pulsing, post punk vibrancy of their ‘Borderlands’ record I just had to talk about it. Out on Svart Records at the end of April, ‘Borderlands’ is early New Order and Killing Joke for the 21st century.

‘Corpse Candle’ opens the album with a driving post punk riff, and the cool croon of vocalist Jennie Mather instantly adds a smouldering groove to it. The throbbing industrial hooks of ‘Betrayal’ dig into your skin, and leave a trail of darkness behind their more obvious hooky nature. It at once reminded me of what Ladytron would sound like with Jaz Coleman lurking in the background. ‘Heather’ is dirging, glacial pop for the modern downtrodden generation, while the pulsing ‘Hypnagogia’ is eeriely uplifting. There’s darkness here too, in the grinding ‘Sabbat’, the haunting ‘The Widow Sunday’ and the bleak, chugging closer ‘Holy Masquerade’.

‘Borderlands’ is a record I found almost by accident, and is normally totally off genre for me. But Weathered Statues have captured something absolutely magic here. Jennie Mather’s stunning voice ties these glorious melodies and dark undercurrents together in an album that will resonate with me for a long time. ‘Borderlands’ is not metal, but the darkness here is very real and haunting.


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Lock Howl, from the grey north of Scotland, come to me described as a post punk band drenched in reverb, with touches of black metal in there too. Now, as a reviewer who salivates at the idea of something out of the norm, ‘Pareidolia’ sounds like a very interesting prospect indeed…

‘The Seventh Room’ opens the record with an eerie incantation before the gloomy, post punk vibes take over. Like a black metal version of Type O Negative, there’s definite savagery hidden amongst the reverb loaded riffs. A pervasive melody lurks within ‘Nephilim’, while the dark influences of the likes of Joy Division comes through on the gloomy ‘Into the Darkness. Into the Unknown’. It is a sound that, when pierced by a savage black metal moment, works really well.

There also seems to be a great resemblance to In Solitude; while removing the King Diamond-esque worship, the miserable heavy metal riffs stay, and you get a similar vibe here. I really like the propulsive ‘Graveless’, which builds gracefully with an infectious melody line that burns its way into your mind. ‘And She Was Found by the Lake’ is a melancholic beauty; a powerful piece of emotional turmoil. ‘Pareidolia’ is a rewarding album with plenty of  awesome little moment, you’ll have to listen to it twice.