Posts Tagged ‘Night Sky’

I did a full genre by genre breakdown last year, and while I’ll try to put that together in the next few days, I thought I ‘d start with my overall favourites. I spent 2015 listening to a shitload of independent, underground stuff, and a lot of older stuff. My favourite non-2015 record of the year was ‘British Steel’, closely followed by Accept’s superlative ‘Balls to the Wall’. It was clearly a classic metal year.I’ve also not heard anywhere near as many of the records I wanted to. So there’s probably been a few good ones you’re wondering why are missing. Tell me, so I can find them!

I’m adding a late disclaimer to this; at point of writing I haven’t heard the new Baroness record. It’d probably be in here, but its not fair to these other great records to stick it in just because I’m guessing how good it is.

10. Zgard – Totem: A Ukrainian windswept masterpiece of folky black metal. ‘Totem’ proved that while fellow countryman Drudkh has perfected the style, there are still bands that can challenge the supremacy. Majestic.

9. Paradise Lost – The Plague Within: What can be said? Yorkshire doom lords return with one of this year’s finest pieces of gothic misery. Proof that you can always rely on the old guard to bring it.

8. Plague Rider – Paroxysm: Only EP to make this list, English tech death stars Plague Rider makes this kind of mind bending death metal look easy. I cannot wait to hear what is coming next.

7. Islay – The Angels Share: German melodeath underground heroes Islay have written one of 2015’s most impressive records. ‘The Angels Share’ is an odyssey, owing debts to At the Gates and Amon Amarth, but always remaining their own.

6. Heathen Beast – Trident: One of India’s brightest hopes, and one of their most talented acts, Heathen Beast bring to you scathing, black metal with enough unique ethnic touches to make them stand out and be instantly recognisable.

5. Chiral – Night Sky: In a year where Sivjr Yar pushed him close, Chiral brought out my favourite black metal of the year. Epic in scope, majestic in execution, and truly heart-wrenching at points, ‘Night Sky’ is how atmospheric black metal should be done.

4. Undersmile – Anhedonia: A scorching, dynamic slab of proper British doom. Melancholy and bleak, but always vital and alive. ‘Atacama Sunrise’ is one of my favourite songs of this year, and it is my top doom record of 2015.

3. Shrapnel Storm – Mother War: In a year of epic death metal, Shrapnel Storm’s album kept getting played. Maybe it’s satisfying my craving for more Bolt Thrower, I don’t know, but maybe its just because it is a crushing machine of riffs and death. Love it.

2. Necrocosm – Damnation Doctrine: In any year where there WASN’T a new Nile record, this would have been my top record. I love the complexity, the unhinged savagery but also the supreme melodic flair with which these guys kill. ‘Damnation Doctrine’ needs to be the death metal record you hear this year

NUMBER ONE: Nile – What Should Not Be Unearthed: I love Nile. I love everything they do. I loved this album before I heard it. But then I did. I heard how Karl Sanders and co had brought their signature sound to yet more intricate, punishing and most importantly GREAT death metal. Writing songs for themselves should be what they do more often, we are all just lucky to hear it.

Did I miss anything essential? Please let me know and I hope you seek out and support all the artists here.


Anything designed, written and crafted by my good friend Teo in Chiral is going to be alright with me. He’s proven repeatedly that he can create some of the most evocative, windswept atmospheric black metal today, and his new record ‘Night Sky’, is out September 10th. I’ve been lucky enough to get a promo in advance to listen, and by the dark gods he’s done it again

Opener ‘My Temple of Isolation’ is a perfect example of how Chiral’s music works so well. Stirring acoustic guitar mingles with harsh black metal, creating a memorable backdrop for a raspingly melancholic vocal performance. ‘Night Sky’ is truly vast in its scope, taking influence from Wolves in the Throne Room and Opeth in equal measure. Chiral is starting to leave behind the trappings of modern black metal and forge his own path, his own interpretation of the riff.


‘Nightside I: Everblack Fields’ is a roaring cascade of icy riffs and a gloomy ambience underlying enhances the mood. ‘Night Sky’ is a journey through ghostly atmospherics and jarringly harsh black metal. Think of it as a blizzard in the great white North. There’s times for raging torrents of icy riffs, and times where the ambience is like quietly falling snow. Each track highlights these parts well, from the haunting, keyboard led soar of ‘Nightside II: Sky Wonder’ through the bleak ‘The Morning Passage’ into stunning closer ‘Beneath the Snow and the Fallen Leaves’.

Just another triumph for one of Italy’s finest. Chiral taps into that primal beauty of nature and channels it through each ethereal keyboard line, each razor riff and every atmospheric moment in his music. ‘Night Sky’ is a piece of glorious beauty, and should be high on everyone’s end of year lists.