Posts Tagged ‘Killer Be Killed’

Now my previous lists have been specific to genre, but this is my ultimate top 20 of the year. It’ll include some records that you won’t have seen in previous ones as, for example, I only really heard two good power metal records this year, so I can’t really make a list from it. Also, where do you categorise certain bands, like Triptykon, who cover a wide spread of genres? Anyhow, my top favourites of the year are as follows:

20. Killer Be Killed – S/T – A supergroup that combines equal parts of their bands to create awesome

19. Grand Magus – Triumph and Power – Riffs of stone and hooks of great magnitude, the title track alone is one of my favourite songs of the year.

18. Winterfylleth – The Divination of Antiquity – Another record of spellbinding black metal from England’s finest. Windswept and vast

17. Edguy – Space Police – Catchy as hell and stupidly anthemic, Tobias and the squad bring some RAWK to their power metal greatness

16. Electric Wizard – Time to Die – A suffocating, occult riddled drag down doom alley. Evil and heavy as fuck

15. Mastodon – Once More Round the Sun – A big improvement over The Hunter and Mastodon’s prog doom trip extends further

14. Mayhem – Esoteric Warfare – A follow up to ‘Ordo Ad Chao’ was always going to be difficult, but the True Mayhem brought out another stormer

13. At the Gates – At War With Reality – Thank fuck we finally have the follow up to ‘Slaughter of the Soul’. They put all copycats to shame.

12. EyeHateGod – EyeHateGod – NOLA sludge titans send Joey LaCaze off with one of their most superlative records yet. Angry, harsh and utterly devastating

11. Decapitated – Blood Mantra – Poland’s finest sons of death continue their streak of blinding records with yet another punishing exercise in tech death

10. Anaal Nathrakh – Desideratum – Nasty, abrasive and skullfuckingly epic in parts, Anaal do things their way, and better than most

9. Inter Arma – The Cavern – A Spellbinding 45 minute trip through the mind of one of post metal and doom’s brightest sparks. Wonderful

8. Hour of Penance – Regicide – Always brutal and relentless, I’ve grown fonder and fonder of this record the longer the year has gone on. Death to all!

7. Dead Congregation – Promulgation of the Fall – Nasty, lurching death metal chaos, belching death and pestilence to all

6. Whalerider – Thanatos – A surprise late entry, and its been on constant rotation. A stormingly good rock record with doses of psych doom weirdness too

5. Panopticon – Road to the North – Soaring and scorching black metal, vast and hypnotic. Epic black metal is the theme this year, and its great

4. Sabaton – Heroes – I fucking love this band. No one writes more anthemic metal tunes than this. Fantastic record and catchy as hell

3. Mount Salem – Endless – A starkly beautiful trad doom record with perfect vocals and atmosphere. The fact it is third on my list is testament to its quality

2. Behemoth – The Satanist – The rebirth of a legend and a triumphant return. Any other year this would’ve been the best by a country mile

1. Triptykon – Melana Chasmata – Nothing could beat the pure misanthropy, despair and heaviness wrought from Tom G Warrior. A simply monumental release


I plan to spend most of December catching up on as many records from 2014 that I’ve missed so that my end of year lists can be a bit more researched and accurate than they would be if I wrote them now. However, I know for a fact that this is a list I can put together now. There’s a definite number of records I keep coming back to from 2014, and many will feature again in lists in a month’s time. But for now, here are my most played records of 2014:

1. Mount Salem – Endless: A hauntingly brilliant doom record, and probably my favourite discovery of 2014. A full blown contender for my favourite record of this year, Mount Salem are something very special.

2. Killer Be Killed – S/T: A supergroup that matches the term in every way. ‘Wings of Feather and Wax’ is up there with my favourite songs of the year too

3. Mastodon – Once More Round the Sun: A storming comeback from the masters of prog doom

4. Behemoth – The Satanist: I see these guys in 10 days time for the first time, and the newest record has been one of 2014’s most astounding achievements

5. Triptykon – Melana Chasmata: Another harrowing trip into the darkness of Tom G Warrior. Bleak and beautiful

6. Edguy – Space Police: My girlfriend’s favourite record this year I believe, and ‘Love Tyger’ is the stupidest brilliant song of the year. It’s so FUCKING catchy. I love this record

7. Sabaton – Heroes: I see these guys in only 6 days’ time and I think their newest record has their strongest collection of anthems since The Art of War. ‘We saw crosses grow on Anzio!’

I’ve read a few of these lists already in the last month or so, and even though I am now perpetuating the idea (how long before we do ‘best of so far’ lists every month?), I think it is still viable as a point of interest. 2014 has been a pretty damn fine year for extreme music already, and we’ve just reached August. Now, advance warning here, I am NOT including any of this year’s record which I haven’t heard yet. So, as good as the new Wolves in the Throne Room record is supposed to be, as I haven’t heard it yet I will not pass judgement. It’s inappropriate, and unfair. No doubt it will appear in my ‘year-end’ list if its as good as I’ve read. Any way, top 10.

10: Origin – Omnipresent: I only heard this for the first time last night, and I’ve already ripped it twice since. Origin do tech death with astonishing violence and masterful dynamics. It’s a vicious, sleek death metal record that will flay skin from bone.

9: Obituary – Inked in Blood: Now, I am lucky enough to be reviewing this for my good friends at Sleeping Shaman, and so I’ll keep the details to myself but nonetheless it is top 10 material, no doubt.

8: Killer Be Killed – S/T: This is a definite highlight for me, a supergroup that matches it’s potential astoundingly. First track ‘Wings of Feather and Wax’ starts almost every playlist of mine at the moment

7: Arch Enemy – War Eternal: Arch Enemy release a new album after losing their most iconic weapon in Angela Gossow. Thankfully, Alyssa Gluz-Whyte is more than up to the task and this is a new melodic death metal classic

6: Vader – Tibi Et Iti: Polish death metal legends create yet another ripping, tearing death metal album full of death and metal. Well, it’s never gonna be anything else is it? Brutal

5: Mastodon – Once More Round the Sun: Mastodon may never equal ‘Crack the Skye’ but ‘Once More Round the Sun’ is the progressive coupling of grace, crushing riffs and catchy ass songs. Love it

4: Mount Salem – Endless: A surprising album for me, a debut of a female fronted doom band that has captured my imagination. Vocals are lush, riffs are huge and the whole air of the occult makes the complete package.

3: Triptykon – Melana Chasmata: Tom G. Warrior’s mesmerising journey into the darkness is awe inspiring at every turn. No one should have been able to better ‘Eparistera Daimones’, but he did

2: Boris – Noise: A band that can rarely do wrong, and rarely fits any kind of genre or structure. Boris ARE my favourite band, and ‘Noise’ is an elegant record that takes all their myriad sounds and condenses them into one beautiful whole.

1: Behemoth – The Satanist: What more can be said? For Nergal to return from leukemia to music is miracle enough. To create one of metal’s most defining records in the 21st century is even more staggering. Dripping with evil, twisting black metal in new and malevolent ways and leading the armies of darkness into the light, ‘The Satanist’ will take some beating this year.


But we still have new Electric Wizard to come…

Albums that are the aural equivalent of herpes. That’s today’s discussion. I should clear that up actually, because it sounds a bit dodgy. Basically it’s about bands (and records particularly) that keep coming back to the top of the listening pile. They won’t go away. We’ve decided here at the Killchain that this year’s most herpes-esque albums have been Killer be Killed and new Mastodon. I know personally I start most days with a quick blast of ‘High Road’ and Wings of Feather and Wax’; they are both simply two of the best songs of the year. They are catchy but heavy as shit. Quoth the Geary:

Sounds Like Herpes.

I know what you are thinking. But no. Its not a time to reflect upon questionable choices made once upon a beer. It is in fact to think about those albums which keep giving you a little something each time you return to the well. This has been inspired by two albums released this year which has been regulars in my headphones, car and anywhere else i can play them. Firstly Killer Be Killed and then the mighty Mastodon ( both given superb reviews here) Below will be some of those albums, in addition to the above, for me. I should note that there is no time stamp here, just glorious riffage.
Killer Be Killed – Killer Be Killed
Mastodon – Once More’Round The Sun
Wilson – Full Blast Fuckery
Capricorns – Ruder Forms Survive
Cult Of Luna – Salvation
Down II – A Bustle in Your Hedgerow
Bolt Thrower – Those Once Loyal
Triptykon – Eparistera Daimones
Clutch- Earth Rocker
Nick Cave and The Bad Seeds – Let Love In
This is of course in no way exhaustive, and personally I’ve got to add in Cannibal Corpse’s ‘Kill’, Nile’s ‘Annihilation of the Wicked’ and Iced Earth’s ‘Horror Show’ but Geary makes an excellent point. No matter how good an album is, if you come back to it constantly even years later (Down II is how fucking old? Really? It’s STILL brilliant) then that is the true test.

I have a book of metal. That is my designated notebook of metal tunes that I need to listen to/need to review/enjoyed immensely. I refer to it every so often when I remember bands I need to check out, or to make notes for a future review. Some of my notes seem oddly profound on reflection….:

New Dillinger just melted my brain

Sounds like a shite Hatebreed

Needs more thrash

Where is the riffs!?

Deathcore nonsense


That last one was a cultured analysis on the merits of the new Killer Be Killed single, of which the band has just released a video for, ‘Wings of Feather and Wax’. One of the most anthemic cuts this year, it forms the pinnacle of what supergroups can do when they mix up their members’ core strengths.

If there was ever a supergroup that NEEDED to live up to the strength of its members, it’s Killer Be Killed. I hate that term supergroup. It instantly brings connotations of superior results than the bands from which its members are drawn. Bringing together members of Mastodon, Soulfly, The Dillinger Escape Plan and The Mars Volta should, on paper, lead to some staggering results but of course, we all know what high expectations can do to a band. Fortunately, Killer Be Killed live up to the hype, and then some.

‘Wings of Feather and Wax’ opens the album strongly. It’s instantly memorable, and brings together all parts of this collaboration perfectly; the surreal vocals of Sanders, the propulsive power of Cavalera and the soaring clean vocals of Puciato. It’s a year highlight track for me thus far. ‘Face Down’ follows with a more aggressive attack, powered much more by Cavalera’s style of metal; uncompromising and straightforward. Ending with a thunderous, Mastodonian rumble gives it an extra kick; Mastodon haven’t been this heavy in a while, and personally I miss it a bit.

‘Melting of My Marrow’ blends sublime prog with earthshaking groove. Killer Be Killed begin to sound almost like a metal fan’s experimental wet dream. What would Mastodon sound like with Max Cavalera on vocals? How good does Puciato and Sanders sound over good old fashioned groove metal? You can hear, almost down to the notes written, who was responsible for what part on the record, but they blend them all together without sounding disjointed at all. ‘Snakes of Jehova’ feels like a missing Dillinger track, lost from sessions between ‘Miss Machine’ and Ire Works’ with some guest musicians.

‘Killer Be Killed’ is a deceptively simple album. With three quarters coming from such wildly adventurous bands, you feel like mnd expanding cosmic prog metal mentalness is about to become unleashed, but it never happens. Perhaps that’s Cavalera’s influence keeping it grounded in solid, metal foundations. That may read like a criticism but it really isn’t. The chugging intro of ‘Curb Crusher’ leads into one of the best songs to come out of groove metal in years; strange considering the participants. But that is where Killer Be Killed works so well.

Be it the Mastodon chug of ‘Save the Robots’ or the Dillinger-esque of ‘Fire to Your Flag’, the band becomes more than just the sum of its parts. It becomes the embodiment of the all star jam, those times at live shows where a guest vocalist comes on to cover something with another bands. Except the songs are new and exciting, and the players are some of the most important in modern metal. It is time for Killer Be Killed to stand up and be counted as a credible challenger to Down and Shrinebuilder as one of the best ‘supergroups’ of all time.

This is where you can hear the first songs from Killer Be Killed, the stunning collaboration between Max Cavalera, Troy Sanders, Greg Puciato and Dave Elitch. It. Is. Awesome. It sounds exactly as you’d expect Soulfly crossed with Mastodon crossed with Dillinger would. It’s heavy, it’s catchy, it’s going to be essential. I can’t wait!