Posts Tagged ‘Illimitable Dolor’

Illimitable Dolor - Leaden Light

Australian death/doom lords Illimitable Dolor return with the follow up to their stunning, self titled debut, ‘Leaden Light. Their grasp of atmosphere is definitively still intact, but have they got the songs to back up their aura. The album is out now through Transcending Obscurity.

A crack of thunder and sheets of rain begins the epic opener ‘Armed He Brings the Dawn’, looming from the mist with massive riffs and a mighty roar. Miserable organ seeps through, while the gloom is broken by shafts of excellent lead guitarwork. The whole song feels infused with loss at a base level, melancholic but yet majestic in its heartbreak. The same could be said for the entire record though, through the weeping riffs of ‘Leaden Light Her Coils’ and the heaving roil of ‘Horses Pale and Four’. The moments of glacial calm, like in ‘Soil She Bears’, provide the respite needed to cope with an album of such magnitude.

Some albums feel more like an experience than ‘just a record’. Illimitable Dolor’s debut felt like that, and ‘Leaden Light’ has that same feeling. It encourages your participation as a victim of misery, which we all have been. An imperious, monolithic album that shows fragility through the cracks. Awe inspiring.

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Australian death/doom lords Illimitable Dolor have risen from the reamaining members of  legendary icons The Slow Death, paying tribute to their deceased former vocalist Gregg WIlliamson with this self titled record, full of heart wrenching death/doom songs. It is due to be released in March by Transcending Obscurity, and raises a miserable glass to the memory of their lost friend.

Opener ‘Rail of Moon, a Stone’ is monolithic, painful and haunting. Vast riffs crush melancholic melodies, while a powerful roar intones ragged emotion. Illimitable Dolor show the strength brought by very real grief and pain, and how it can lead to music of fragile beauty. It seems strange to call these kind of massive, weatherbeaten monsters of songs fragile, but the feeling of loss is palpable. ‘Comet Shines or Dies’ leads with weeping guitars and ghostly keys that brings to mind early My Dying Bride, or Mournful Congregation.

The dark majesty of ‘Salt of Brazen Seas’ is enhanced by potent organ melodies at the start, and the mourning growls mix well. In fact, I don’t know if I’ve heard organ used this well since Asva’s ‘What You Don’t Know is Frontier’. That’s one of my favourite funeral doom/drone records ever so that’s a huge compliment. ‘Illimitable Dolor’ is frontrunner now as my favourite doom record this year; a heady mix of the heaviest of riffs and the most fragile of emotions coming together to form a majestic whole. Just listen to the sobbing ‘Abandoned Cuts of River’ and try not to be totally absorbed. I dare you.

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