Posts Tagged ‘EyeHateGod’

Now my previous lists have been specific to genre, but this is my ultimate top 20 of the year. It’ll include some records that you won’t have seen in previous ones as, for example, I only really heard two good power metal records this year, so I can’t really make a list from it. Also, where do you categorise certain bands, like Triptykon, who cover a wide spread of genres? Anyhow, my top favourites of the year are as follows:

20. Killer Be Killed – S/T – A supergroup that combines equal parts of their bands to create awesome

19. Grand Magus – Triumph and Power – Riffs of stone and hooks of great magnitude, the title track alone is one of my favourite songs of the year.

18. Winterfylleth – The Divination of Antiquity – Another record of spellbinding black metal from England’s finest. Windswept and vast

17. Edguy – Space Police – Catchy as hell and stupidly anthemic, Tobias and the squad bring some RAWK to their power metal greatness

16. Electric Wizard – Time to Die – A suffocating, occult riddled drag down doom alley. Evil and heavy as fuck

15. Mastodon – Once More Round the Sun – A big improvement over The Hunter and Mastodon’s prog doom trip extends further

14. Mayhem – Esoteric Warfare – A follow up to ‘Ordo Ad Chao’ was always going to be difficult, but the True Mayhem brought out another stormer

13. At the Gates – At War With Reality – Thank fuck we finally have the follow up to ‘Slaughter of the Soul’. They put all copycats to shame.

12. EyeHateGod – EyeHateGod – NOLA sludge titans send Joey LaCaze off with one of their most superlative records yet. Angry, harsh and utterly devastating

11. Decapitated – Blood Mantra – Poland’s finest sons of death continue their streak of blinding records with yet another punishing exercise in tech death

10. Anaal Nathrakh – Desideratum – Nasty, abrasive and skullfuckingly epic in parts, Anaal do things their way, and better than most

9. Inter Arma – The Cavern – A Spellbinding 45 minute trip through the mind of one of post metal and doom’s brightest sparks. Wonderful

8. Hour of Penance – Regicide – Always brutal and relentless, I’ve grown fonder and fonder of this record the longer the year has gone on. Death to all!

7. Dead Congregation – Promulgation of the Fall – Nasty, lurching death metal chaos, belching death and pestilence to all

6. Whalerider – Thanatos – A surprise late entry, and its been on constant rotation. A stormingly good rock record with doses of psych doom weirdness too

5. Panopticon – Road to the North – Soaring and scorching black metal, vast and hypnotic. Epic black metal is the theme this year, and its great

4. Sabaton – Heroes – I fucking love this band. No one writes more anthemic metal tunes than this. Fantastic record and catchy as hell

3. Mount Salem – Endless – A starkly beautiful trad doom record with perfect vocals and atmosphere. The fact it is third on my list is testament to its quality

2. Behemoth – The Satanist – The rebirth of a legend and a triumphant return. Any other year this would’ve been the best by a country mile

1. Triptykon – Melana Chasmata – Nothing could beat the pure misanthropy, despair and heaviness wrought from Tom G Warrior. A simply monumental release

Advertisements

I’m fitting in a bit less here than my previous black metal list, simply because there hasn’t been as many great doom records (that I’ve heard this year at least) in 2014 as I’d hoped. I write a bit for Sleeping Shaman and my choices for reviews have been a bit uninspiring in the past few months. No fault of Lee who runs it, but it just seems that the whole doom/stoner scene is spinning its wheels in the sand and not going anywhere. However, there have been some seriously good records in the genre so I managed a list:

10: Grand Magus – Triumph and Power: These guys never fail to write a brilliant doom record, every time. They have riffs hewn from stone and anthems of steel and blood. Wonderful

9. Mastodon – Once More ‘Round the Sun: A stunning comeback from the somewhat lackluster ‘The Hunter’, Mastodon have written yet another prog-doom-rock masterpiece. As anthemic and complex as anything they’ve written before

8. EyeHateGod – EyeHateGod: I shouldn’t have to explain this, so I won’t. Sludge gods do it again

7. Electric Wizard – Time to Die: Less immediate than ‘Black Masses’ but every bit as malevolent and grindingly heavy. Brilliant

6. Inter Arma – The Cavern: I called this the new Mastodon when I reviewed it earlier in the year and I stand by it. Twisting, heavy and beautiful

5. Kuolemanlaakso – Tulijoutsen: Finnish death/doom majesty from the voice of Swallow the Sun. Stunningly heavy

4. Pallbearer – Foundation of Burden: Achingly heavy and poignant, a true heir to Cathedral’s throne

3. Nux Vomica – Nux Vomica: A draining, Cult of Luna meets Discharge monster of sludge, doom and crust punk violence. Monstrous

2. Boris – Noise: Not technically doom on this release, but my favourite shape shifting Japanese band have pulled out another classic album

1. Mount Salem – Endless: I called this months ago, and I’m still right: ‘Endless’ is still my favourite doom record of the year. It mixes classic Pentagram riffs with the powerful, mournful voice of Emily Koplin to staggering effect. I’ve listened to this I don’t know how many times this year, and I’m still not sick of it!

Special mention go to Pilgrim’s ‘II: Void Worship’, Ides of Gemini ‘Old World/New Wave’ and Godhunter’s ‘City of Dust’. You guys were close but not quite. I recommend you check out everything here, as they are all awesome!

Spoiler Alert: I LOVE EyeHateGod. Their brand of groove heavy, feedback (and whiskey) drenched nihilistic sludge has always struck a chord with me. I’m not sure why really, maybe it’s just the fact that ‘Dixie Whiskey’ has probably one of the best riffs I’ve ever heard (future Riff of the Day post is coming on that one). But I think the reason I like Outlaw Order so much, is because I like EyeHateGod so much.

Outlaw Order are very EyeHateGod. Its probably because 4 of its members have either been in, or are still in EyeHateGod. Except the mighty Joe LaCaze, may the ghosts of the Mississippi carry him to his final resting place. But Outlaw Order have less of the gut wrenching, vein bursting dirge and pain that EyeHateGod do. What they do have is spadefuls of NOLA groove, the tortured howl of Mike IX Williams and a sense of speed. Not that they would ever challenge thrash or anything, but compared with a lot of sludge records, ‘Dragging Down the Enforcer’ rocks along at a fair whack. Tracks like ‘Mercy Shot’ show off that thick, Southern groove that is so endemic of the NOLA sludge scene. Where black metal took the frozen north as part of its sound, sludge took the swagger of southern rock and roll, and then drowned it in tar like riffing and elephantine groove.

‘Siege Mentality’ has the most potent mix of hardcore punk and Sabbath, with a frank awesome riff near the end, while ‘Safety Off’ find its riff and keeps it, varying slightly from the blueprint, but remains faithful to the groove. The title track is a serious rager, that breaks down into a crushing EHG-esque ending.

‘Dragging Down the Enforcer’ has been Outlaw Order’s only record, which is a shame because they bring a potent mix of sludge and a no frills punk attitude. It’s a record that feels dangerous (in fact the name Outlaw Order came from the fact that all the members were on probation when the band came together), far more so than the wretched, puking spawn of the Dirty South that EyeHateGod is. Its refreshing to hear that so many members of the same band can create a side project that SOUNDS like their day job, and yet isn’t simply a clone.