Posts Tagged ‘Death/Doom’

TowardsAtlantisLights-WEB.png

International death/doom supergroup Towards Atlantis Lights have gifted to us, the miserable and the melancholic, ‘Dust of Aeons’, which is a culmination of death/doom laden hymns to the abyss from years past. Transcending Obscurity is putting this wondrous, beautiful slab of music out there to remind us all that it could and almost definitely will get worse.

The epic behemoth that is ‘The Bunker of Life’ gives us a massive half hour of atmospheric, crushing doom that is laced with some of the heaviest moments TO Records have released this year. A sensual, miasmic journey through brutality, misery, bleak melody. A true odyssey of heavy music, with dashes of My Dying Bride-laced piano and some old fashioned Finnish-style death completes the piece. It really reminds me of aquatic funeral doom lords Ahab, and to think there are still three more tracks…

‘Babylon’s Hanging Garden’ is guttural death at its lowest possible pace, with a haunting spoken word section breaking the grind. More dragging, ghostly misery comes in the elegiac ‘Alexandria’s Library’, and you are finished off with the visceral pain and crawling morbidity of ‘Greeting Mausolos’ Tomb’. Towards Atlantis Lights have created something incredibly lonely here; an album that teeters at the edge of fragility while retaining this intense and eldritch heaviness. Death/doom often focuses on the death, and the doom is not always truly captured. ‘Dust of Aeons’ may be the most doom-laden epitaph this world will face when it finally crumbles into dust.

https://towardsatlantislights.bandcamp.com/

https://www.facebook.com/TowardsAtl/

https://tometal.com/

Advertisements

01_cover_Et_Moriemur_promo_900x900-WEB.jpg

Et Moriemur are taking their atmospheric black/doom/death metal to new and uncompromising places with their latest full length, ‘Epigrammata’. Utilising orchestral flourishes, Gregorian chants and choirs to really enhance their exploration of European history, Transcending Obscurity have given us yet another band that is not afraid to push their music to dizzying and mystical heights.

A sweeping, dramatic ‘Introitus’ leads us to the heaving ‘Requiem Aeternum’, a piece of crushing doom that writhes with an almost hymnal vibe. There is a clear orthodox and religious thread that runs through the whole of ‘Epigrammata’, but with that comes the sinister. The delicate piano that accompanies the deathly roars of ‘Offertorium’ is a terrifying juxtaposition, and often you will come across such mixtures. Spoken word, choral voices; brutality and beauty meet in this highly original style. It can definitely be challenging at times (epic closer ‘In Paradisum’ has its moments of overly orchestral issues), but perserverance is the key and soon you will fall in love with what Et Morimur are doing here.

‘Epigrammata’ is one of those albums that you can genuinely compare to nothing else. Sure, there is misery and doomy heaviness aplenty, but the ethereal melodies that linger within, the sepulchral choir of roars, the Gregorian chanting; it is all part of a package that is equally mysterious and enthralling. Et Moriemur are totally different, and it is such a refreshing change.

https://etmoriemurdoom.bandcamp.com/

https://tometal.com/

https://www.facebook.com/etmoriemur/

Coughdust_Cover.jpg

Finnish doom lords Coughdust have released their follow up to their debut ‘A Means to An End’, and are taking their deathly stoner doom to new heights with ‘Worldwrench’, out last October via Suicide Records. ‘Worldwrench’ is a steamrolling record of death, doom and destruction.

Opener ‘Serpents of the Earth’ instantly feels like a more raging version of classic Electric Wizard fuzzy doom. Each massive groove is coated in fuzzing distortion, and cyclopean riffs cascade from your speakers. This is a primal song; taking you into the roots of all heavy music with huge guitar and bellowing roars. It is a pretty definitive opening salvo, and when ‘The Second Principle’ kicks in an almost Swedeath guitar tone and attitude it gives you shivers. It feels like the lost link where death and doom meet, where savagery meets the inexorable pushing force of THE RIFF. Beautiful stuff.

Wherever Coughdust takes you, be it the chugging Dismemberisms of the title track or the crumbling epitaph of ‘Blind’, ‘Worldwrench’ is a record that will instantly gratify your cravings for heaviness. Like the crushing pressures of the deep, Coughdust have dragged ancient doom to your door and left a corpse waiting for you. Are you ready for this? You had better be because ‘Worldwrench’ will consume those too weak to resist.

https://www.facebook.com/Coughdust

https://coughdust.bandcamp.com/

http://www.suiciderecords.se/

Brazilian atmospheric doom/sludge from one of my favourite record labels?! SOLD! Transcending Obscurity are bringing us this slab of massive riffs ‘Terraforming’, which is a pleasure to find as your immediate thoughts on South American metal is howling, raging Satanic black/death/thrash. Isn’t nice when your perceptions are shattered? ‘Terraforming’ is out on the 15th November.

The groaning strength of ‘Matriarch’ begins this record with a swaying riff and a lurching, atonal melody that floats below cavernous roars. Think of the mournful power of Swallow the Sun, and couple that with a rusty Louisiana groove and scowling guttural roars and you’ll be about there. The atmospheric ‘Unearthly Glow’ is an early highlight, and I like how Jupiterian mix a sense of the vast beauty of death/doom with the ugliness of sludge. The title track is dark and creepy ambience, benefitting greatly from an appearance from Maurice de Jong of Gnaw Their Tongues.

‘Terraforming’ is a titanic record, built upon massive riffs that appear from the darkness like cliffs of granite. A record that has a deep sense of uneasiness about it, whether in the vocals from hell or the odd melodies seeping out of the guitars. Jupiterian are vast, primal and unbearably heavy at points. Shimmering black metal moments in ‘Us and Them’ are a mere example of the atmospheric, limitless possibilities hidden with ‘Terraforming’. Mark your calendar for this one.

https://www.facebook.com/jupiteriandoom/

https://jupiterian.bandcamp.com/

https://tometal.com/

The physical release of the debut recording by California duo Draghkar is a monstrous slice of death metal with more than a dash of suffocating doom about it. Blood Harvest is bringing us this cassette, and despite there only being three tracks leaves you no doubt of what horrendous violence is yet to come. Miasmic, murky and magical, due to drop on the 6th of October.

Opener ‘Wings Over Malkier’ has a demonic, driving quality about it that revives ancient spirits of Autopsy and gurgling Finnish death metal and soaking it in one of the murkiest guitar tones I’ve ever heard. It is devastating, ugly greatness and instantly sets a high bar for the rest. The rest, of course, meets that expectation without issue, with the rabid savagery of ‘Cowering in the Town of Blinded Eyes’ piling bodies in its wake and the cavernous crush of the title track dragging us to our inexorable end.

God this tape is fucking astounding. No more than 10 minutes of some of the greatest, nastiest death metal you’ll hear this year. Keeping death metal ugly, underground and disgustingly brutal, Draghkar will become your new favourite band. As they fucking should.

https://bloodharvestrecords.bandcamp.com/album/world-unraveled-mc-2

https://www.facebook.com/DraghkarBand/

http://www.bloodharvest.se/

Shrine of the Serpent first lurked upon my radar with their awesome self titled EP in 2015. They’ve returned with a new split cassette with Black Urn, a band I have had no prior knowledge of but will definitely be tracking after this. The split is over 30 minutes of harrowing death/doom, with each band contributing two tracks each. It is available now through Bandcamp.

Opening with Shrine of the Serpent’s ‘Desecrated Tomb’, which is brutally heavy and slow. Like the heaving of tectonic plates, Shrine of the Serpent immediately reintroduce themselves as one of the heaviest outfits on the planet. Guttural roars compliment dragging riffs, all suffocating under a leaden atmosphere. ‘Catacombs of Flesh’ is just about as unbearably heavy, pushing down upon you with terrible, devastating darkness.

Black Urn’s side of the split crushes with the morbid crawl of ‘My Strength Lies on Heavenless Plains’, which builds from murky depths into a black metal influenced tremolo roar. Thunderous, molten riffs pour from aching speakers while tortured screams yearn for freedom. It is staggeringly heavy, and sets a new watermark for the music here. They close us down with the AIC Cover, ‘Junkhead’, which injects an entirely new menace into the grunge classic.

Probably one of the best splits I’ve come across in recent memory, both Shrine of the Serpent and Black Urn have really hit it out of the park on this one. Find a copy of it soon before they all disappear!

https://shrineoftheserpent.bandcamp.com/album/shrine-of-the-serpent-black-urn-split

https://caligarirecords.bandcamp.com/album/split-2

https://www.facebook.com/blackurn/

https://www.facebook.com/ShrineoftheSerpent/

A world of misery and gloom awaits you inside the new Ever Circling Wolves record, ‘Of Woe’. Shades of black metal scattered over a dense and foreboding death/doom template. I first discovered them on their stunning 2009 record ‘The Silence from Your Room’, but their new record takes them to even greater plains. It is out now on Cimmerian Shade Recordings.

The haunting ‘Coeur’ is an immediate standout, where crushing doom riffs meet death metal ferocity, but it is layered with a lot of haunting melodies, as is the gloomy power of ‘Haunted’. This is a record that plays between its main strengths of massive riffs that feel like cliffs are falling on you, and a more post metal sensibility where melodies, clean vocals and a deft grasp of how space can create excellent music. With a runtime that exceeds an hour, these nuances are very important to ensure that you don’t lose interest.

But it would be difficult to lose interest in an album that is constantly shifting your expectations. At no point are you wondering when it’ll finish, more ‘how much more of this can I get!?’. The glacial opening riffs to ‘Challenger Deep’,  the quirky savagery of ‘Lenore’, the drawn out exhaustion of epic closer ‘These Are Ashes, These are Roots’; all lead you to an inexorable collapse where you gasp for air and beg for more. ‘Of Woe’ is an album that towers above most, enschewing the obvious for a path less travelled, and getting it totally right on the journey.

https://cimmerianshaderecordings.bandcamp.com/album/of-woe-or-how-i-learned-to-stop-worrying-and-love-the-gloom

https://www.facebook.com/ecwdoom/