Posts Tagged ‘Chile’

Chilean duo Crime have exploded out of the rock and roll underground in South America with their debut tape ‘First Crime’, out now on Shadow Kingdom Records. Three tracks of energetic, punkish heavy metal invade your ears, inspiring the raising of horns and the thrashing of necks.

Opener ‘Highway Robbery’ takes a while to get going thanks to a lengthy and creepy intro, but once it kicks into high gear it provides delightful Venomisms with some killer hooks. Galloping leads mesh with a squealing solo that invokes fond memories of early German thrash, while raspy vocals match up perfectly. Same with the infectious ‘Give Your Life to the Ruin’, where the urge to air guitar furiously increases with every minute.

Closing with the rampant ‘We Shall Destroy’, it is amazing how a short sharp burst of raucous energy can really reinvigorate your love of heavy music. Crime may steal every trick in the book, but ‘First Crime’ is a love note to the genuine roots of the genre and therefore you can be forgiven all of your sins when you make us all remember how fun metal used to be.

https://shadowkingdomrecords.bandcamp.com/album/first-crime-2

https://crimesofheavymetal.bandcamp.com/

Porta Daemonium - Serpent of Chaos

Chilean blackened death metallers Porta Daemonium have long been hidden away from us through self released digital recordings but no longer! Blood Harvest are bringing us their debut full length ‘Serpent of Chaos’ on vinyl, and what a fearsome slab of South American extremity it is…

Opener ‘Zazas Zazas Nasatanada Zazas’ (a phrase meant to open the gates of Hell) certainly does, with haunting growls lurking within hellish murk, before the howling frenzy of ‘Via Sinistra’ comes roaring behind. A molten beast of darkness and rage, Porta Daemonium have an impressive density to their music, and a threatening buzz to their guitar tone as well that reminds me of old Swedish death metal. Unstoppable percussive force powers the visceral ‘The Blood of the Dark Madness’, while ancient Immolation-isms weave their way through the brutal ‘To the Left of God’.

‘Serpent of Chaos’ is as cutting edge an old fashioned death metal record as you can get. The musicianship is amazing, the atmosphere is nasty and the authenticity is spot on. Ferocious in execution, yet barely derivative and packed with insane moments of brutality, Porta Daemonium may have become my new favourite death metal band of 2017, and ‘The Apep’s Chaotic Dreams’ takes heaviness to new lows. Worship the ancient ground this beast walks upon, for you are not worthy of their gifts.

https://www.facebook.com/portadaemonium666/

https://bloodharvestrecords.bandcamp.com/album/serpent-of-chaos-12lp

http://www.bloodharvest.se/

https://i1.wp.com/www.memento-mori.es/images/releases/Infamovs%20cover.jpg

Chilean lords of darkness and death Infamovs have exploded onto the international scene with ‘Under the Seals of Death’, their debut full length that is gracing us early next year through the fantastic and always reliable Memento Mori label. ‘Under the Seals of Death’ is a half hour exercise in what death metal, South American style, is all about.

Opener ‘Into the Death’  is typical of the whirlwind howl that prvades this record from the start. A howling, deathly wind tunnel of a song where dense riffing curls around morbid growls to satiate even the most hungry for death. There’s traces of early Floridian death metal, particularly Deicide in the guttural rage of ‘Impure Plagiarisms’, but the innate ferocity and uncompromising brutality is pure South America. The battering carnage of ” is a personal highlight; it grabs straight to the jugular and aims for the kill.

The irresistable drive of Infamovs to steamroll all those who stand in the way is achieved purely through their chunky, deathly riffage that both enraptures and invigorates with each listen. ‘Gods of Pestilence’ thunders along like a lost Vader track, with devastating simplicity as the rumbling influences of Bolt Thrower sneak into ‘Interlude’.  And yet, you may never hear this album because of where it is made etc. But ‘Under the Seals of Death’ is looking to be the first essential record of 2017. Crushing, deathly glory!

https://www.facebook.com/infamovs.deathmetal

http://www.memento-mori.es/

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Chilean death metallers Sadism are onto their seventh full length in a career spanning almost 30 years. ‘Alliance’ came out at the tail end of last year, and is a fiery violent slab of death metal. Their potent blend of Immolation heaviness and the ferocious assault of prime Morbid Angel is fearsome, and it will hopefully be the record that moves Sadism out of that hidden underground gem catergory.

Opener ‘Conversion’ is a perfect example of how Sadism work. Blasting, raging deathly riffs rain down upon you relentlessly, with dense chugging and furious fretwork. ‘Treblinka’ is another chugging beast, and the obvious Floridian influence runs deep within Sadism’s riffing. The South American death metal style isn’t as prevalent as that thick American style, and it makes for a refreshing shattering of preconceptions. There’s nothing fancy or overly technical about ‘Alliance’, but the pure simplicity of it is intoxicating.

Dense Immolationisms surge through the twisting, serpentine ‘Scroll’, while some serious Bolt Thrower worship sneaks into ‘Mother of Prostitutes’. Sadism’s main strength is their ability to combine all the most effective parts of death metal without becoming stale or overly repetitive. Death metal is death metal, but ‘Alliance’ is a record that invokes much headbanging and invisible oranges. Thoroughly enjoyable!

Lucifer's Hammer - Beyond the Omens

Holy shit, where the fuck did Lucifer’s Hammer comes from? I mean, obviously, not just Chile, but where have a band this awesome been hiding? ‘Beyond the Omens’ is the debut full length from these South Americans and it is a ripping collection of vintage 80s heavy metal worship so potent and catchy you’ll need to go to your doctors for cream….

Opener ‘The Hammer of the Gods’ is replete with classic King Diamond-isms, along with classic twin guitar harmonies and a powerful vocal performance from frontman Hades. The speedy, instrumental eponymous track is next, invoking much headbanging and the invisible oranges. A record you can instantly just fall in love with, ‘Beyond the Omens’ is insanely catchy and takes you back to that glorious mid 80s heyday for this kind of metal. A heyday that is long overdue for a return to form, and Lucifer’s Hammer look to be the band do just that.

The brooding ‘Dying’ is an unexpected highlight, a subtly melodic slab of metal that evokes classic Angel Witch, while the galloping title track is an excellent closer. Lucifer’s Hammer have surprised me entirely with this record. I expected something a little less polished and memorable, but ‘Beyond the Omens’ is a piece of beauty. There’s an electricity that snakes through the veins of the soaring ‘Shining Blade’ and it is impossible not to enjoy the galloping glory of ‘Black Mysteries’. This is a record that grows and grows with each listen, and is fast becoming one of my most beloved records of 2016.

https://shadowkingdomrecords.bandcamp.com/album/beyond-the-omens

http://www.shadowkingdomrecords.com/

https://www.facebook.com/Lucifershammerband/?fref=ts

Sombras cover art

Chilean metallers Mano Humana formed in 2012, and aim to write music free of traditional genre tropes, which still fits with a violent and aggressive style. Hopefully this translates into something riff heavy and awesome!

South American metal tends to be on the side of rabid brutality and extremely raw. So it’s a pleasant experience to find an album that, while aggressive in execution, is quite well produced and clear. The modern thrashings of ‘Jueces’ has elements of early Meshuggah, with some almost djent signatures in places. It has a killer groove though, which continues through bangers like ‘Desintrospeccion’ and the chugging heaviness of ‘Demencia’

What I like about Mano Humana is they don’t just play solid if uninspired thrash, nor do they do a bad copy of Meshuggah riffs. What they bring is an honest amalgamation of both, with plenty of quirky guitar work, and some jagged time changes. It isn’t all relentless riffing though, with the introspective noodlings of ‘Grito En Silencio’ displaying an almost progressive edge, or the calming start of longest track ‘Arbol’. I really like the spacey riff that opens ‘Ataca y Ataca’, and the call and response sections is very Soulfly-esque. In fact, this song feels like their Brazilian counterparts, with a dense tribal drum and primal roar echoing Cavalera’s tribe.

I like Mano Humana. ‘Sombras’ feels like a breath of fresh air, with its amalgamation of thrash and a heavier sound. It is a little weird, but once it gets going, you’ll be hooked!

https://www.facebook.com/ManoHumanaBanda

https://manohumana.bandcamp.com/album/sombras

https://www.facebook.com/sickbangersmetaldistro

Theurgist's Spell 7"EP cover art

Bristling with South American fury, Chilean black thrashers Hellish have released an exclusive 7″ through Blood Harvest Records, tearing flesh from bone with four searing tracks of raging fury. Recalling early Kreator or Sodom at their savage best, Hellish are inspiring all sorts of headbanging here.

Opener ‘Total Darkness’ leads you into a furious maelstrom of proto thrash, complete with snarling vocals and relentless chaos. ‘Silent Night’ is more of the same, blackened thrashing in the vein of Sarcofago, Archgoat or the finest offerings from Hell’s Headbangers. ‘Theurgist’s Spell’ positively pulses with dark energy; each blackened chainsaw riff gleams with a kind of rusty malevolence. The drumming is a battery from Hell, and when the EP comes to an abrupt end with the flailing evil of ‘Assassin Mind’, it’s over too soon.

Hellish have got that traditional South American fury melded into classic German thrash, and it makes ‘Theurgist’s Spell’ a treat for your bloodstained ears.

https://www.facebook.com/Hellishchile

https://bloodharvestrecords.bandcamp.com/album/theurgists-spell-7ep

http://www.bloodharvest.se/