Posts Tagged ‘Chile’

The ultra cult flag bearer of Chilean Black/death, Invocation Spells are back with their fourth collection of unholy hymns of hatred and filth, ‘Spread Cruelty in the Abyss’, which is out now through Hells Headbangers. Following their superb ‘The Flame of Hate’ record, released last year on HH too, this has a legacy to live up to.

‘Ruins of Cemetery’ begins with a cruel, chugging riff that has the most killer necro guitar tone, before speeding off towards Hades itself. Guttural bellows accompany riffs that start at early Kreator then vanish deep into the depths of earth. Molten Slayerisms spiral from the brutal ‘Victims of Doom’, while the speed metal energy of ‘Spread Cruelty’ is a sight of the evolution of Invocation Spells. No longer content to just be thrashy, blackened necro bastards, their song writing is becoming more nuanced and more memorable with every release.

The vocals are unhinged growls and screams that sound as if they are separated from you by a layer of murk; indistinct in lyric but clear in intention. These are two guys who aim to slash and maim with their instruments, with the serrated slice of ‘Old Rites’ and the rusting blade of ‘From the Graves’, they’re going to achieve that quite readily. Blasting forth in a mere 26 minutes, ‘Spread Cruelty in the Abyss’ is a record that is both a perfect length and over too soon. Invocation Spells are a standout of the Chilean scene, but their musical record speaks for itself and plants them firmly at the top. This is another killer weapon in their arsenal for upcoming tours and releases.

https://www.facebook.com/InvocationSpells/

https://invocationspells.bandcamp.com/album/spread-cruelty-in-the-abyss

http://www.hellsheadbangers.com/

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Image result for disembowel plagues and ancient rites

Chilean black/death monsters Disembowel are a particularly nasty proposition, with their debut full length ‘Plagues and Ancient Rites’ steeped in the most gruesome and morbid of filth. Released in March through Iron Bonehead Productions, this Lovecraft inspired tome has summoned something rather ghoulish from eldritch depths.

After the haunting chants of ‘Innsmouth Evocation’, the ‘Lord of Shadows’ appears with grinding death metal riffing and brutal vocals. ‘Plagues and Ancient Rites’ is a record heavy with traditional death metal power, and it is suffocating under a miasmic fog of otherworldly dread. The driving Grave-isms of ‘IA! IA! Nyarlathotep!’ is particularly potent, but throughout there is a gnawing, scratching insanity permeating each song. You can feel it in the maddeningly heavy ‘Ancient Cult of Chthulu’, like there’s something scratching at the edge of your reality, begging to get inside and cause chaos.

When Disembowel strike your ears, you will be given a lesson in death metal greatness. There’s something breeding deep in the darkest areas of South America, and this is where Disembowel have crawled from. The songs are tight, brutal and shrouded with the kind of ancient mysteries that most bands dream about attaining. High quality stuff, and I look forward to more.

https://ironboneheadproductions.bandcamp.com/album/disembowel-plagues-and-ancient-rites

http://www.ironbonehead.de/

CORPSEHAMMER - Perversion Cover.jpeg

‘Perversión’ is the third in a horrendous trilogy of filthy black/thrash from Swedish/Chilean ragers Corpsehammer, and as you’d expect with a name like that, this four track EP bludgeons past you at such a force, you’ll need to play it a few times to grasp its true greatness. It will be out on the 13th April through Morbid Skull Records.

Opener ‘Reino – Sangro Del’ throbs with this menacing atmosphere, as spoken word descends into howling madness and the barrelling necrosis of the riffs appears. There is definitely an old school Scandinavian vibe here, meshing with an almost Discharge-like d-beat intensity. ‘Rito _ Magia’ is more of the tortuous, blackened death carnage, where cavernous vocals roar beyond ancient and terrible metal. ‘Perversion’ feels like if you touched its rusted, bloodied edge you’d be guaranteed to get tetanus. Or something worse.

This is a excellent completion to the trilogy, and continues to encapsulate a murky, raw sound that Corpsehammer have nailed. An ode to Darkthrone, Hellhammer and the like, Corpsehammer revive the old days and make it feel fun again. Short but ultimately satisfying, ‘Perversion’ is simple, nasty music for nasty people. Superb.

http://www.morbidskullrecords.com/

https://www.facebook.com/corpsehammer/

Thy Serpent's Cult - Supremacy of Chaos

The third and final album from cult Chilean death metallers Thy Serpent’s Cult is somewhat of a bittersweet moment for me, having only just discovered this band and then finding that there will be no more. I appreciate in this massive world of metal we have that we’ll never be able to listen to everything, but this is SO right up my street. It is out now on Ordo MCM, and is a fitting sendoff.

Crushing immediately with the title track, Thy Serpent’s Cult have an instantly gratifying old school approach to their death metal. Chunky riffing that brings to mind Bolt Thrower or Asphyx, coating in a grimy production that is pure South American. Determined to keep everything early 90s death metal, ‘Diabolic Force’ is defiantly and one dimensionally brutal, while the churning ‘Pedophilac Priest’ is a devastating blow. You could take almost any track here and be enthralled by the band’s old school aesthetics, even their album cover looks like it was made in 1993.

‘Supremacy of Chaos’ is eleven songs in 36 minutes of straight forward, no bullshit death metal. There’s no need for innovation, there’s no need for anything from the past 25 years or so. Thy Serpent’s Cult go out in a blaze of fire and destruction; their epitaph is their dedication to their craft and their sound. This record is a beauty.

https://www.facebook.com/OrdoMCM/

http://www.ordomcm.com/

https://ordomcm.bandcamp.com/album/thy-serpents-cult-supremacy-of-chaos

Normally I don’t review splits very often, as their juxtaposition of bands can sometimes be a bit jarring for someone that mostly listens to complete records, but I’ve come to enjoy the Chilean contribution to South America’s metal scene recently, and ‘Wrath of Darkness’ is a split between two forces in this underground mecca, Wrathprayer and Force of Darkness. Both draw from a black metal wellspring, but in different yet collaborative ways. This split is coming out on Nuclear War Now! Productions in a mere 2 weeks!

This split is an entirely collaborative effort, from artwork to musical direction and so has a lot more cohesion than a lot of splits do. Wrathprayer take first stab with the creepy intro and the suffocating, oppressive ‘Tria Serpentis’. Howling roars from deepest abyssal plains, belching horrors untold as chasms are torn asunder by dense, rippling riffs of the darkest, deathly black metal. ‘De Profundis’ is even bleaker, led in by tortured screaming and howling winds of blackened death. They leave a huge challenge for Force of Darkness to meet on their part.

Fortunately ‘Wall of Fire’ proves to be more than up to the challenge, with fire breathing ferocity powering us along at breakneck speed. A surprisingly melodic solo punctuates a song that is more waspish, traditional black metal than Wrathprayer’s contributions. ‘Nunc Scio Tenebris Lux’ is another scorcher that, despite its fuzzy guitar tone and screaming vocal, does nothing to stop being the most memorable song here. The powerful ‘The Order’ finishes their contribution as Force of Darkness sail off on black waters through their outro.

‘Wrath of Darkness’ is an excellent release that really showcases two starring lights in the Chilean extreme metal scene. Wrathprayer keeps everything dense and dark, while Force of Darkness has a bit more melody and some furiously catchy songs. Make a note of its release folks!

https://nuclearwarnowproductions.bandcamp.com/album/wrath-of-darkness

http://www.nwnprod.com/

https://www.facebook.com/WRATHPRAYER-184968604887127/

South American two man project of black/death metal? Man, it’s such a cliche but with that mere description you just KNOW it’s gonna kick ass. It might be derivative, it might even suck, but that kind of tag line will always make me pay attention. Hades Archer are from Chile, and their ‘Temple of the Impure’ record is a fire breathing explosion of nasty riffs and boiling hatred. Due out in October on Hells Headbangers, it is time for violence.

Unholy incantations lead us into the storming ‘Chaos Teratosis Chimeras’, in which torrents of blastbeats pour from the speakers while the more measuredly vicious ‘The Gods Sold This World from Destruction’ is a swaying, hypnotic second wave black metal classic in modern dressings. There are some delightful moments of pure musical greatness lurking amongst the murk of Temple of the Impure’, where you just break out into a smile at how cool that little melody was (‘Hecate Undressed’) or how visceral some of the riff and vocal combinations feel (‘Apollyon’s Brightness’).

‘Temple of the Impure’ is an album that challenges perception of what South American black/death is supposed to sound like. Not only comfortable at 100mph, it is in fact their more measured and doomier moments that are the highlights, and Hades Archer stand above such one dimensional cliches now. ‘Temple of the Impure’ is a record that everyone should drop before and worship, for in this darkness is greatness.

https://hadesarcher.bandcamp.com/

http://www.hellsheadbangers.com/

Chilean duo Crime have exploded out of the rock and roll underground in South America with their debut tape ‘First Crime’, out now on Shadow Kingdom Records. Three tracks of energetic, punkish heavy metal invade your ears, inspiring the raising of horns and the thrashing of necks.

Opener ‘Highway Robbery’ takes a while to get going thanks to a lengthy and creepy intro, but once it kicks into high gear it provides delightful Venomisms with some killer hooks. Galloping leads mesh with a squealing solo that invokes fond memories of early German thrash, while raspy vocals match up perfectly. Same with the infectious ‘Give Your Life to the Ruin’, where the urge to air guitar furiously increases with every minute.

Closing with the rampant ‘We Shall Destroy’, it is amazing how a short sharp burst of raucous energy can really reinvigorate your love of heavy music. Crime may steal every trick in the book, but ‘First Crime’ is a love note to the genuine roots of the genre and therefore you can be forgiven all of your sins when you make us all remember how fun metal used to be.

https://shadowkingdomrecords.bandcamp.com/album/first-crime-2

https://crimesofheavymetal.bandcamp.com/