Posts Tagged ‘Bolt Thrower’

This is a revelation of an ongoing project I have been working on for a while now. History is important to metal, in many shapes and forms. History is also very important to me. It is what I got my degree in at university, it was the subject I was best at at school, and it is a hobby of mine. I like to seek out the lesser told parts of history, the parts you don’t learn about at school, the parts that have no bearing on my homeland or my life. These are the things that interest me. It seems to be a theme in my life, as my music is another place where I search for the obscure, the less popular, the different. Thankfully, all those things are ably found with help of the big bad web.

Metalheads revere the HISTORY of their genre; the older bands that laid the way for the new bands that appear every day. Bands like Mercyful Fate, Iron Maiden, Judas Priest, Venom, Death and of course, Black Sabbath. The latter being the most important of them all. But what unites many bands is their appreciation of human history, of events long past. In many cases it is war, be it the World War II themed death metal of Hail of Bullets or the juggernaut of Bolt Thrower. War is a central theme through hundreds of metal bands.

Inspiration from people of great evil from human history is another common theme, be it the malicious Blood Countess Elizabeth Bathory, the ‘Hangman of Prague’ Reinhard Heydrich or the galloping butcher Attila the Hun. Tales of their roles in history are tied to metal songs, and there are many more I haven’t mentioned. But it seems that HISTORY as a subject is important in many ways.

Our most famous examples of such bands include Iron Maiden, Sabaton, Hail of Bullets, Bolt Thrower, Eastern Front and so on. But numerous other songs with some rooting in a historical place, time or figure exist. I want to examine how important it is as a form of expression. How these times in the past are considered worthy of immortalising in a song. What bands find in the themes or symbolism of the past that is revelant to their particular message. As I have started this research, it amazes me how frequently historical references appear in metal songs. They are everywhere, from the blasting Marduk to the psychedelica of The Meads of Asphodel; from the fist pumping heavy metal of Saxon to the howling death of Nile.

Footnote: I am, wherever possible, trying to stay away from mythological referencing, as that would make this project massively unwieldy and potentially inaccurate. I have a great respect for mythology, and I do believe a lot of it will have roots in real events or people. But as a historian myself, I will seek the evidence rather than the conjecture. I’ll examine how the stories of the past work as metal songs or inspirations. This is going to be a passion project that will see the light of day in the future. One hopes


I have a shit load of respect for Bolt Thrower. Not only are they the least geeky thing that involves the Warhammer universe, they write riffs that could bulldoze most bands out of the industry altogether. They wrote 8 great albums, with at least three being certifiable masterpieces (Realm of Chaos, In Battle There is No Law, Those Once Loyal) and having a song so brutal it’s my alarm clock (World Eater).

But the main reason I respect them so much is what they’ve done since Those Once Loyal. Which is play gigs and that’s about it. The band effectively retired the recorded side of their music after 2005 as they had reached their goal of writing the ‘perfect Bolt Thrower album’. Unbelievably refreshing in a genre where bands overstay their welcome album after album and just get poorer (I’m looking at you Mustaine, and that giant pile of cock that Super Collider is). Luckily for them, Those Once Loyal was absolutely brilliant, and The Killchain is such a good song it became my blog name.

Even their gigging is few and far between, and therefore allows them to be a treat for fans. You could never get sick of seeing them live, because if you’re lucky you’ll see them once every three four years. It gives them and their music an integrity and a special feeling that most bands could only hope to achieve.

So when I picked them for my inaugural band of the day, it wasn’t simply due to their fantastic music, or that ‘World Eater’ blows most death metal songs out of the water within the first 2 seconds of THAT opening riff. I picked them because their conviction should be admired, and respected.

Riff to worship: couldn’t be anything other than the ominous rumble of World Eater (Realm of Chaos track 8)