Review: Korpiklaani – Noita

Posted: July 30, 2015 in Reviews
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Korpiklaani - Noita

Korpiklaani are one of those bands who you can always rely on to write a good, FUN metal album usually based around skipping around forests blazing drunk. Or so the stereotype goes. They are what people who hate ‘folk metal’ point at as an example of what is wrong with the genre, but for me Korpiklaani have always been a riot. Sure, their record output has suffered somewhat in parts due to their prolific nature, but their last three records have been hits for me and I’m a big fan. So it is with anticipation I welcome ‘Noita’ onto my stereo.

‘Noita’ is, on first impressions, a little more sombre and a bit more sober for want of a better term. The album art, for a start, is a bit more moody and darker than previous records, and while there are still plenty of upbeat, happy singalongs, the overall feeling is one of introspection in parts. Opener ‘Viinamäen Mies’ is traditional Korpiklaani fare, with a bouncy rhythm and Jonne’s rasping, hoiky vocals. All the band’s trademarks are there, the accordion, the Finnish lyrics, the fiddles. The galloping ‘Pilli On Pajusta Tehty’ is next, followed by the grander and more melancholic ‘Lempo’. ‘Lempo’ is a fine example of how Korpiklaani mix up their sound, rather than sticking straight to their ‘formulaic’ folk metal anthems and it’s a highlight of the record for me.

‘Sahti’ will be an instant live favourite, with its pogo inducing main melody and shoutalong moments. It’s the closest you’ll come to a ‘single’ track here, although the barreling ‘Luontoni’ pushes it with its heavy metal heart beating hard. ‘Minä Näin Vedessä Neidon’ is a folk ballad to be proud of, led by mournful violin and a softening of Jonne’s rasp. The bonkers ‘Jouni Jouni’ shakes it up again, being a Finnish language cover of Tommy James and the Shondells’ ‘Mony Mony’. Which I don’t know at all, but it’s a total party tune.

I like to think of a Korpiklaani album as like a night round a campfire drinking. The faster party tunes like ‘Sahti’ or ‘Viinamaen Mies’ are for earlier on, whereas the more moody ‘Ämmänhauta’ is for later on, when the fire dies to embers and everyone has hit that sleepy drunk stage. As for ‘Noita’, it stands up against the best work Korpiklaani has done in the past and surpasses it, with a more mature songwriting style while not losing that FUN that made us all fall in love the first time.

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